Determining Context-Dependent Meanings of Words in Prose Fiction Passages - ACT Reading
Card 0 of 688
Adapted from Middlemarch: A Study of Provincial Life by George Eliot (1874)
Dorothea trembled while she read this letter; then she fell on her knees, buried her face, and sobbed. She could not pray; under the rush of solemn emotion in which thoughts became vague and images floated uncertainly, she could but cast herself, with a childlike sense of reclining, in the lap of a divine consciousness which sustained her own. She remained in that attitude till it was time to dress for dinner.
How could it occur to her to examine the letter, to look at it critically as a profession of love? Her whole soul was possessed by the fact that a fuller life was opening before her: she was a neophyte about to enter on a higher grade of initiation. She was going to have room for the energies which stirred uneasily under the dimness and pressure of her own ignorance and the petty peremptoriness of the world’s habits.
Now she would be able to devote herself to large yet definite duties; now she would be allowed to live continually in the light of a mind that she could reverence. This hope was not unmixed with the glow of proud delight—the joyous maiden surprise that she was chosen by the man whom her admiration had chosen. All Dorothea’s passion was transfused through a mind struggling towards an ideal life; the radiance of her transfigured girlhood fell on the first object that came within its level. The impetus with which inclination became resolution was heightened by those little events of the day which had roused her discontent with the actual conditions of her life.
The underlined word “attitude” in the first paragraph most nearly means __________.
Adapted from Middlemarch: A Study of Provincial Life by George Eliot (1874)
Dorothea trembled while she read this letter; then she fell on her knees, buried her face, and sobbed. She could not pray; under the rush of solemn emotion in which thoughts became vague and images floated uncertainly, she could but cast herself, with a childlike sense of reclining, in the lap of a divine consciousness which sustained her own. She remained in that attitude till it was time to dress for dinner.
How could it occur to her to examine the letter, to look at it critically as a profession of love? Her whole soul was possessed by the fact that a fuller life was opening before her: she was a neophyte about to enter on a higher grade of initiation. She was going to have room for the energies which stirred uneasily under the dimness and pressure of her own ignorance and the petty peremptoriness of the world’s habits.
Now she would be able to devote herself to large yet definite duties; now she would be allowed to live continually in the light of a mind that she could reverence. This hope was not unmixed with the glow of proud delight—the joyous maiden surprise that she was chosen by the man whom her admiration had chosen. All Dorothea’s passion was transfused through a mind struggling towards an ideal life; the radiance of her transfigured girlhood fell on the first object that came within its level. The impetus with which inclination became resolution was heightened by those little events of the day which had roused her discontent with the actual conditions of her life.
The underlined word “attitude” in the first paragraph most nearly means __________.
While readers may be tempted to choose answers that reflect more contemporary definitions of the word "attitude" ("hostile manner" or "feelings about a particular subject"), the correct answer is the now-antiquated definition of the word that reflects body posture. Context clues include the reference to Dorothea's “reclining” posture in the previous sentence.
While readers may be tempted to choose answers that reflect more contemporary definitions of the word "attitude" ("hostile manner" or "feelings about a particular subject"), the correct answer is the now-antiquated definition of the word that reflects body posture. Context clues include the reference to Dorothea's “reclining” posture in the previous sentence.
Compare your answer with the correct one above
Adapted from Middlemarch: A Study of Provincial Life by George Eliot (1874)
Dorothea trembled while she read this letter; then she fell on her knees, buried her face, and sobbed. She could not pray; under the rush of solemn emotion in which thoughts became vague and images floated uncertainly, she could but cast herself, with a childlike sense of reclining, in the lap of a divine consciousness which sustained her own. She remained in that attitude till it was time to dress for dinner.
How could it occur to her to examine the letter, to look at it critically as a profession of love? Her whole soul was possessed by the fact that a fuller life was opening before her: she was a neophyte about to enter on a higher grade of initiation. She was going to have room for the energies which stirred uneasily under the dimness and pressure of her own ignorance and the petty peremptoriness of the world’s habits.
Now she would be able to devote herself to large yet definite duties; now she would be allowed to live continually in the light of a mind that she could reverence. This hope was not unmixed with the glow of proud delight—the joyous maiden surprise that she was chosen by the man whom her admiration had chosen. All Dorothea’s passion was transfused through a mind struggling towards an ideal life; the radiance of her transfigured girlhood fell on the first object that came within its level. The impetus with which inclination became resolution was heightened by those little events of the day which had roused her discontent with the actual conditions of her life.
In the context of the paragraph, what does the underlined word “object” in the third paragraph refer to?
Adapted from Middlemarch: A Study of Provincial Life by George Eliot (1874)
Dorothea trembled while she read this letter; then she fell on her knees, buried her face, and sobbed. She could not pray; under the rush of solemn emotion in which thoughts became vague and images floated uncertainly, she could but cast herself, with a childlike sense of reclining, in the lap of a divine consciousness which sustained her own. She remained in that attitude till it was time to dress for dinner.
How could it occur to her to examine the letter, to look at it critically as a profession of love? Her whole soul was possessed by the fact that a fuller life was opening before her: she was a neophyte about to enter on a higher grade of initiation. She was going to have room for the energies which stirred uneasily under the dimness and pressure of her own ignorance and the petty peremptoriness of the world’s habits.
Now she would be able to devote herself to large yet definite duties; now she would be allowed to live continually in the light of a mind that she could reverence. This hope was not unmixed with the glow of proud delight—the joyous maiden surprise that she was chosen by the man whom her admiration had chosen. All Dorothea’s passion was transfused through a mind struggling towards an ideal life; the radiance of her transfigured girlhood fell on the first object that came within its level. The impetus with which inclination became resolution was heightened by those little events of the day which had roused her discontent with the actual conditions of her life.
In the context of the paragraph, what does the underlined word “object” in the third paragraph refer to?
The word “object” is held in parallel to the “man whom her admiration had chosen” from the previous sentence. While it may be tempting to choose "Dorothea’s purpose in life," using the alternate definition of “object” as “purpose,” given the context, this cannot be the correct answer.
The word “object” is held in parallel to the “man whom her admiration had chosen” from the previous sentence. While it may be tempting to choose "Dorothea’s purpose in life," using the alternate definition of “object” as “purpose,” given the context, this cannot be the correct answer.
Compare your answer with the correct one above
Adapted from The Picture of Dorian Gray by Oscar Wilde (1890)
The studio was filled with the rich odour of roses, and when the light summer wind stirred amidst the trees of the garden, there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pink-flowering thorn.
From the corner of the divan of Persian saddle-bags on which he was lying, smoking, as usual, innumerable cigarettes, Lord Henry Wotton could just catch the gleam of the honey-sweet and honey-colored blossoms of the laburnum, whose tremulous branches seemed hardly able to bear the burden of a beauty so flame-like as theirs.
In the center of the room, clamped to an upright easel, stood the full-length portrait of a young man of extraordinary personal beauty, and in front of it, some little distance away, was sitting the artist himself, Basil Hallward, whose sudden disappearance some years ago caused, at the time, such public excitement, and gave rise to so many strange conjectures.
As he looked at the gracious and comely form he had so skilfully mirrored in his art, a smile of pleasure passed across his face, and seemed about to linger there. But he suddenly started up, and, closing his eyes, placed his fingers upon the lids, as though he sought to imprison within his brain some curious dream from which he feared he might awake.
"It is your best work, Basil, the best thing you have ever done," said Lord Henry, languidly. "You must certainly send it next year to the Grosvenor. The Academy is too large and too vulgar. The Grosvenor is the only place."
"I don't think I will send it anywhere," he answered, tossing his head back in that odd way that used to make his friends laugh at him at Oxford. "No: I won't send it anywhere."
Lord Henry elevated his eyebrows, and looked at him in amazement through the thin blue wreaths of smoke that curled up in such fanciful whorls from his heavy cigarette. "Not send it anywhere? My dear fellow, why? Have you any reason? What odd chaps you painters are! You do anything in the world to gain a reputation. As soon as you have one, you seem to want to throw it away. It is silly of you, for there is only one thing in the world worse than being talked about, and that is not being talked about. A portrait like this would set you far above all the young men in England, and make the old men quite jealous, if old men are ever capable of any emotion."
"I know you will laugh at me," he replied, "but I really can't exhibit it. I have put too much of myself into it."
Lord Henry stretched his long legs out on the divan and shook with laughter.
"Yes, I knew you would laugh; but it is quite true, all the same."
"Too much of yourself in it! Upon my word, Basil, I didn't know you were so vain; and I really can't see any resemblance between you, with your rugged strong face and your coal-black hair, and this young Adonis, who looks as if he was made of ivory and rose-leaves. Why, my dear Basil, he is a Narcissus, and you—well, of course you have an intellectual expression, and all that. But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself an exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid. Look at the successful men in any of the learned professions. How perfectly hideous they are! Except, of course, in the church. But then in the church they don't think. A bishop keeps on saying at the age of eighty what he was told to say when he was a boy of eighteen, and consequently he always looks absolutely delightful. Your mysterious young friend, whose name you have never told me, but whose picture really fascinates me, never thinks. I feel quite sure of that. He is a brainless, beautiful thing, who should be always here in winter when we have no flowers to look at, and always here in summer when we want something to chill our intelligence. Don't flatter yourself, Basil: you are not in the least like him.”
Based on the way in which they are discussed in the passage, “the Academy” and “the Grosvenor” are __________.
Adapted from The Picture of Dorian Gray by Oscar Wilde (1890)
The studio was filled with the rich odour of roses, and when the light summer wind stirred amidst the trees of the garden, there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pink-flowering thorn.
From the corner of the divan of Persian saddle-bags on which he was lying, smoking, as usual, innumerable cigarettes, Lord Henry Wotton could just catch the gleam of the honey-sweet and honey-colored blossoms of the laburnum, whose tremulous branches seemed hardly able to bear the burden of a beauty so flame-like as theirs.
In the center of the room, clamped to an upright easel, stood the full-length portrait of a young man of extraordinary personal beauty, and in front of it, some little distance away, was sitting the artist himself, Basil Hallward, whose sudden disappearance some years ago caused, at the time, such public excitement, and gave rise to so many strange conjectures.
As he looked at the gracious and comely form he had so skilfully mirrored in his art, a smile of pleasure passed across his face, and seemed about to linger there. But he suddenly started up, and, closing his eyes, placed his fingers upon the lids, as though he sought to imprison within his brain some curious dream from which he feared he might awake.
"It is your best work, Basil, the best thing you have ever done," said Lord Henry, languidly. "You must certainly send it next year to the Grosvenor. The Academy is too large and too vulgar. The Grosvenor is the only place."
"I don't think I will send it anywhere," he answered, tossing his head back in that odd way that used to make his friends laugh at him at Oxford. "No: I won't send it anywhere."
Lord Henry elevated his eyebrows, and looked at him in amazement through the thin blue wreaths of smoke that curled up in such fanciful whorls from his heavy cigarette. "Not send it anywhere? My dear fellow, why? Have you any reason? What odd chaps you painters are! You do anything in the world to gain a reputation. As soon as you have one, you seem to want to throw it away. It is silly of you, for there is only one thing in the world worse than being talked about, and that is not being talked about. A portrait like this would set you far above all the young men in England, and make the old men quite jealous, if old men are ever capable of any emotion."
"I know you will laugh at me," he replied, "but I really can't exhibit it. I have put too much of myself into it."
Lord Henry stretched his long legs out on the divan and shook with laughter.
"Yes, I knew you would laugh; but it is quite true, all the same."
"Too much of yourself in it! Upon my word, Basil, I didn't know you were so vain; and I really can't see any resemblance between you, with your rugged strong face and your coal-black hair, and this young Adonis, who looks as if he was made of ivory and rose-leaves. Why, my dear Basil, he is a Narcissus, and you—well, of course you have an intellectual expression, and all that. But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself an exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid. Look at the successful men in any of the learned professions. How perfectly hideous they are! Except, of course, in the church. But then in the church they don't think. A bishop keeps on saying at the age of eighty what he was told to say when he was a boy of eighteen, and consequently he always looks absolutely delightful. Your mysterious young friend, whose name you have never told me, but whose picture really fascinates me, never thinks. I feel quite sure of that. He is a brainless, beautiful thing, who should be always here in winter when we have no flowers to look at, and always here in summer when we want something to chill our intelligence. Don't flatter yourself, Basil: you are not in the least like him.”
Based on the way in which they are discussed in the passage, “the Academy” and “the Grosvenor” are __________.
“The Academy” and “the Grosvenor” are mentioned in the fourth paragraph when Lord Henry first speaks: “"It is your best work, Basil, the best thing you have ever done," said Lord Henry, languidly. "You must certainly send it next year to the Grosvenor. The Academy is too large and too vulgar. The Grosvenor is the only place.” So, what can we tell about “the Academy” and “the Grosvenor”? Lord Henry says that Basil must send his painting to “the Grosvenor” instead of “the Academy,” so we can infer that each is a place at which one might show a work of art.
“The Academy” and “the Grosvenor” are mentioned in the fourth paragraph when Lord Henry first speaks: “"It is your best work, Basil, the best thing you have ever done," said Lord Henry, languidly. "You must certainly send it next year to the Grosvenor. The Academy is too large and too vulgar. The Grosvenor is the only place.” So, what can we tell about “the Academy” and “the Grosvenor”? Lord Henry says that Basil must send his painting to “the Grosvenor” instead of “the Academy,” so we can infer that each is a place at which one might show a work of art.
Compare your answer with the correct one above
Adapted from Pride and Prejudice by Jane Austen (1813)
She was suddenly roused by the sound of the doorbell, and her spirits were a little fluttered by the idea of its being Colonel Fitzwilliam himself, who had once before called late in the evening, and might now come to inquire particularly after her. But this idea was soon banished, and her spirits were very differently affected, when, to her utter amazement, she saw Mr. Darcy walk into the room. In an hurried manner he immediately began an inquiry after her health, imputing his visit to a wish of hearing that she were better. She answered him with cold civility. He sat down for a few moments, and then getting up, walked about the room. Elizabeth was surprised, but said not a word. After a silence of several minutes, he came towards her in an agitated manner, and thus began:
"In vain I have struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you."
Elizabeth's astonishment was beyond expression. She stared, colored, doubted, and was silent. This he considered sufficient encouragement, and the avowal of all that he felt, and had long felt for her, immediately followed. He spoke well, but there were feelings besides those of the heart to be detailed, and he was not more eloquent on the subject of tenderness than of pride. His sense of her inferiority—of its being a degradation—of the family obstacles which had always opposed to inclination, were dwelt on with a warmth that was very unlikely to recommend his suit.
In spite of her deeply-rooted dislike, she could not be insensible to the compliment of such a man's affection, and though her intentions did not vary for an instant, she was at first sorry for the pain he was to receive; till, roused to resentment by his subsequent language, she lost all compassion in anger. She tried, however, to compose herself to answer him with patience.
He concluded with representing to her the strength of that attachment that, in spite of all his endeavors, he had found impossible to conquer; and with expressing his hope that it would now be rewarded by her acceptance of his hand. As he said this, she could easily see that he had no doubt of a favorable answer. He spoke of apprehension and anxiety, but his countenance expressed real security. Such a circumstance could only exasperate farther, and, when he ceased, the color rose into her cheeks, and she said:
"In such cases as this, it is, I believe, the established mode to express a sense of obligation for the sentiments avowed, however unequally they may be returned. It is natural that obligation should be felt, and if I could feel gratitude, I would now thank you. But I cannot—I have never desired your good opinion, and you have certainly bestowed it most unwillingly. I am sorry to have occasioned pain to anyone. It has been most unconsciously done, however, and I hope will be of short duration. The feelings which, you tell me, have long prevented the acknowledgment of your regard, can have little difficulty in overcoming it after this explanation."
Mr. Darcy, who was leaning against the mantelpiece with his eyes fixed on her face, seemed to catch her words with no less resentment than surprise. His complexion became pale with anger, and the disturbance of his mind was visible in every feature. He was struggling for the appearance of composure, and would not open his lips till he believed himself to have attained it. The pause was to Elizabeth's feelings dreadful. At length, with a voice of forced calmness, he said:
"And this is all the reply which I am to have the honor of expecting! I might, perhaps, wish to be informed why, with so little endeavor at civility, I am thus rejected. But it is of small importance."
"I might as well inquire," replied she, "why with so evident a desire of offending and insulting me, you chose to tell me that you liked me against your will, against your reason, and even against your character? Was not this some excuse for incivility, if I was uncivil? But I have other provocations. You know I have. Had not my feelings decided against you—had they been indifferent, or had they even been favorable, do you think that any consideration would tempt me to accept the man who has been the means of ruining, perhaps forever, the happiness of a most beloved sister?"
As she pronounced these words, Mr. Darcy changed color; but the emotion was short, and he listened without attempting to interrupt her while she continued.
In the context of this passage, the meaning of the underlined word "endeavor" as it is used in the fifth and eighth paragraphs is closest to "__________."
Adapted from Pride and Prejudice by Jane Austen (1813)
She was suddenly roused by the sound of the doorbell, and her spirits were a little fluttered by the idea of its being Colonel Fitzwilliam himself, who had once before called late in the evening, and might now come to inquire particularly after her. But this idea was soon banished, and her spirits were very differently affected, when, to her utter amazement, she saw Mr. Darcy walk into the room. In an hurried manner he immediately began an inquiry after her health, imputing his visit to a wish of hearing that she were better. She answered him with cold civility. He sat down for a few moments, and then getting up, walked about the room. Elizabeth was surprised, but said not a word. After a silence of several minutes, he came towards her in an agitated manner, and thus began:
"In vain I have struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you."
Elizabeth's astonishment was beyond expression. She stared, colored, doubted, and was silent. This he considered sufficient encouragement, and the avowal of all that he felt, and had long felt for her, immediately followed. He spoke well, but there were feelings besides those of the heart to be detailed, and he was not more eloquent on the subject of tenderness than of pride. His sense of her inferiority—of its being a degradation—of the family obstacles which had always opposed to inclination, were dwelt on with a warmth that was very unlikely to recommend his suit.
In spite of her deeply-rooted dislike, she could not be insensible to the compliment of such a man's affection, and though her intentions did not vary for an instant, she was at first sorry for the pain he was to receive; till, roused to resentment by his subsequent language, she lost all compassion in anger. She tried, however, to compose herself to answer him with patience.
He concluded with representing to her the strength of that attachment that, in spite of all his endeavors, he had found impossible to conquer; and with expressing his hope that it would now be rewarded by her acceptance of his hand. As he said this, she could easily see that he had no doubt of a favorable answer. He spoke of apprehension and anxiety, but his countenance expressed real security. Such a circumstance could only exasperate farther, and, when he ceased, the color rose into her cheeks, and she said:
"In such cases as this, it is, I believe, the established mode to express a sense of obligation for the sentiments avowed, however unequally they may be returned. It is natural that obligation should be felt, and if I could feel gratitude, I would now thank you. But I cannot—I have never desired your good opinion, and you have certainly bestowed it most unwillingly. I am sorry to have occasioned pain to anyone. It has been most unconsciously done, however, and I hope will be of short duration. The feelings which, you tell me, have long prevented the acknowledgment of your regard, can have little difficulty in overcoming it after this explanation."
Mr. Darcy, who was leaning against the mantelpiece with his eyes fixed on her face, seemed to catch her words with no less resentment than surprise. His complexion became pale with anger, and the disturbance of his mind was visible in every feature. He was struggling for the appearance of composure, and would not open his lips till he believed himself to have attained it. The pause was to Elizabeth's feelings dreadful. At length, with a voice of forced calmness, he said:
"And this is all the reply which I am to have the honor of expecting! I might, perhaps, wish to be informed why, with so little endeavor at civility, I am thus rejected. But it is of small importance."
"I might as well inquire," replied she, "why with so evident a desire of offending and insulting me, you chose to tell me that you liked me against your will, against your reason, and even against your character? Was not this some excuse for incivility, if I was uncivil? But I have other provocations. You know I have. Had not my feelings decided against you—had they been indifferent, or had they even been favorable, do you think that any consideration would tempt me to accept the man who has been the means of ruining, perhaps forever, the happiness of a most beloved sister?"
As she pronounced these words, Mr. Darcy changed color; but the emotion was short, and he listened without attempting to interrupt her while she continued.
In the context of this passage, the meaning of the underlined word "endeavor" as it is used in the fifth and eighth paragraphs is closest to "__________."
Although the word "endeavor" can mean each of the choices given in different contexts, here it most nearly means "attempt," as Darcy has attempted to conquer his feelings for Elizabeth and feels she has not made even an attempt at civility in her response to him.
Although the word "endeavor" can mean each of the choices given in different contexts, here it most nearly means "attempt," as Darcy has attempted to conquer his feelings for Elizabeth and feels she has not made even an attempt at civility in her response to him.
Compare your answer with the correct one above
Adapted from Pride and Prejudice by Jane Austen (1813)
She was suddenly roused by the sound of the doorbell, and her spirits were a little fluttered by the idea of its being Colonel Fitzwilliam himself, who had once before called late in the evening, and might now come to inquire particularly after her. But this idea was soon banished, and her spirits were very differently affected, when, to her utter amazement, she saw Mr. Darcy walk into the room. In an hurried manner he immediately began an inquiry after her health, imputing his visit to a wish of hearing that she were better. She answered him with cold civility. He sat down for a few moments, and then getting up, walked about the room. Elizabeth was surprised, but said not a word. After a silence of several minutes, he came towards her in an agitated manner, and thus began:
"In vain I have struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you."
Elizabeth's astonishment was beyond expression. She stared, colored, doubted, and was silent. This he considered sufficient encouragement, and the avowal of all that he felt, and had long felt for her, immediately followed. He spoke well, but there were feelings besides those of the heart to be detailed, and he was not more eloquent on the subject of tenderness than of pride. His sense of her inferiority—of its being a degradation—of the family obstacles which had always opposed to inclination, were dwelt on with a warmth that was very unlikely to recommend his suit.
In spite of her deeply-rooted dislike, she could not be insensible to the compliment of such a man's affection, and though her intentions did not vary for an instant, she was at first sorry for the pain he was to receive; till, roused to resentment by his subsequent language, she lost all compassion in anger. She tried, however, to compose herself to answer him with patience.
He concluded with representing to her the strength of that attachment that, in spite of all his endeavors, he had found impossible to conquer; and with expressing his hope that it would now be rewarded by her acceptance of his hand. As he said this, she could easily see that he had no doubt of a favorable answer. He spoke of apprehension and anxiety, but his countenance expressed real security. Such a circumstance could only exasperate farther, and, when he ceased, the color rose into her cheeks, and she said:
"In such cases as this, it is, I believe, the established mode to express a sense of obligation for the sentiments avowed, however unequally they may be returned. It is natural that obligation should be felt, and if I could feel gratitude, I would now thank you. But I cannot—I have never desired your good opinion, and you have certainly bestowed it most unwillingly. I am sorry to have occasioned pain to anyone. It has been most unconsciously done, however, and I hope will be of short duration. The feelings which, you tell me, have long prevented the acknowledgment of your regard, can have little difficulty in overcoming it after this explanation."
Mr. Darcy, who was leaning against the mantelpiece with his eyes fixed on her face, seemed to catch her words with no less resentment than surprise. His complexion became pale with anger, and the disturbance of his mind was visible in every feature. He was struggling for the appearance of composure, and would not open his lips till he believed himself to have attained it. The pause was to Elizabeth's feelings dreadful. At length, with a voice of forced calmness, he said:
"And this is all the reply which I am to have the honor of expecting! I might, perhaps, wish to be informed why, with so little endeavor at civility, I am thus rejected. But it is of small importance."
"I might as well inquire," replied she, "why with so evident a desire of offending and insulting me, you chose to tell me that you liked me against your will, against your reason, and even against your character? Was not this some excuse for incivility, if I was uncivil? But I have other provocations. You know I have. Had not my feelings decided against you—had they been indifferent, or had they even been favorable, do you think that any consideration would tempt me to accept the man who has been the means of ruining, perhaps forever, the happiness of a most beloved sister?"
As she pronounced these words, Mr. Darcy changed color; but the emotion was short, and he listened without attempting to interrupt her while she continued.
In the context of the underlined first line, "particularly"most nearly means "__________."
Adapted from Pride and Prejudice by Jane Austen (1813)
She was suddenly roused by the sound of the doorbell, and her spirits were a little fluttered by the idea of its being Colonel Fitzwilliam himself, who had once before called late in the evening, and might now come to inquire particularly after her. But this idea was soon banished, and her spirits were very differently affected, when, to her utter amazement, she saw Mr. Darcy walk into the room. In an hurried manner he immediately began an inquiry after her health, imputing his visit to a wish of hearing that she were better. She answered him with cold civility. He sat down for a few moments, and then getting up, walked about the room. Elizabeth was surprised, but said not a word. After a silence of several minutes, he came towards her in an agitated manner, and thus began:
"In vain I have struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you."
Elizabeth's astonishment was beyond expression. She stared, colored, doubted, and was silent. This he considered sufficient encouragement, and the avowal of all that he felt, and had long felt for her, immediately followed. He spoke well, but there were feelings besides those of the heart to be detailed, and he was not more eloquent on the subject of tenderness than of pride. His sense of her inferiority—of its being a degradation—of the family obstacles which had always opposed to inclination, were dwelt on with a warmth that was very unlikely to recommend his suit.
In spite of her deeply-rooted dislike, she could not be insensible to the compliment of such a man's affection, and though her intentions did not vary for an instant, she was at first sorry for the pain he was to receive; till, roused to resentment by his subsequent language, she lost all compassion in anger. She tried, however, to compose herself to answer him with patience.
He concluded with representing to her the strength of that attachment that, in spite of all his endeavors, he had found impossible to conquer; and with expressing his hope that it would now be rewarded by her acceptance of his hand. As he said this, she could easily see that he had no doubt of a favorable answer. He spoke of apprehension and anxiety, but his countenance expressed real security. Such a circumstance could only exasperate farther, and, when he ceased, the color rose into her cheeks, and she said:
"In such cases as this, it is, I believe, the established mode to express a sense of obligation for the sentiments avowed, however unequally they may be returned. It is natural that obligation should be felt, and if I could feel gratitude, I would now thank you. But I cannot—I have never desired your good opinion, and you have certainly bestowed it most unwillingly. I am sorry to have occasioned pain to anyone. It has been most unconsciously done, however, and I hope will be of short duration. The feelings which, you tell me, have long prevented the acknowledgment of your regard, can have little difficulty in overcoming it after this explanation."
Mr. Darcy, who was leaning against the mantelpiece with his eyes fixed on her face, seemed to catch her words with no less resentment than surprise. His complexion became pale with anger, and the disturbance of his mind was visible in every feature. He was struggling for the appearance of composure, and would not open his lips till he believed himself to have attained it. The pause was to Elizabeth's feelings dreadful. At length, with a voice of forced calmness, he said:
"And this is all the reply which I am to have the honor of expecting! I might, perhaps, wish to be informed why, with so little endeavor at civility, I am thus rejected. But it is of small importance."
"I might as well inquire," replied she, "why with so evident a desire of offending and insulting me, you chose to tell me that you liked me against your will, against your reason, and even against your character? Was not this some excuse for incivility, if I was uncivil? But I have other provocations. You know I have. Had not my feelings decided against you—had they been indifferent, or had they even been favorable, do you think that any consideration would tempt me to accept the man who has been the means of ruining, perhaps forever, the happiness of a most beloved sister?"
As she pronounced these words, Mr. Darcy changed color; but the emotion was short, and he listened without attempting to interrupt her while she continued.
In the context of the underlined first line, "particularly"most nearly means "__________."
In the context of these lines, particularly means "with specific intent." It is implied that Colonel Fitzwilliam might be romantically interested in Elizabeth, so a late visit by him might mean that he specifically wants to inquire after her and not to simply visit with the entire family. The other choices are all synonyms for particularly, but none of them have the additional significance that this meaning does.
In the context of these lines, particularly means "with specific intent." It is implied that Colonel Fitzwilliam might be romantically interested in Elizabeth, so a late visit by him might mean that he specifically wants to inquire after her and not to simply visit with the entire family. The other choices are all synonyms for particularly, but none of them have the additional significance that this meaning does.
Compare your answer with the correct one above
Adapted from Pride and Prejudice by Jane Austen (1813)
She was suddenly roused by the sound of the doorbell, and her spirits were a little fluttered by the idea of its being Colonel Fitzwilliam himself, who had once before called late in the evening, and might now come to inquire particularly after her. But this idea was soon banished, and her spirits were very differently affected, when, to her utter amazement, she saw Mr. Darcy walk into the room. In an hurried manner he immediately began an inquiry after her health, imputing his visit to a wish of hearing that she were better. She answered him with cold civility. He sat down for a few moments, and then getting up, walked about the room. Elizabeth was surprised, but said not a word. After a silence of several minutes, he came towards her in an agitated manner, and thus began:
"In vain I have struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you."
Elizabeth's astonishment was beyond expression. She stared, colored, doubted, and was silent. This he considered sufficient encouragement, and the avowal of all that he felt, and had long felt for her, immediately followed. He spoke well, but there were feelings besides those of the heart to be detailed, and he was not more eloquent on the subject of tenderness than of pride. His sense of her inferiority—of its being a degradation—of the family obstacles which had always opposed to inclination, were dwelt on with a warmth that was very unlikely to recommend his suit.
In spite of her deeply-rooted dislike, she could not be insensible to the compliment of such a man's affection, and though her intentions did not vary for an instant, she was at first sorry for the pain he was to receive; till, roused to resentment by his subsequent language, she lost all compassion in anger. She tried, however, to compose herself to answer him with patience.
He concluded with representing to her the strength of that attachment that, in spite of all his endeavors, he had found impossible to conquer; and with expressing his hope that it would now be rewarded by her acceptance of his hand. As he said this, she could easily see that he had no doubt of a favorable answer. He spoke of apprehension and anxiety, but his countenance expressed real security. Such a circumstance could only exasperate farther, and, when he ceased, the color rose into her cheeks, and she said:
"In such cases as this, it is, I believe, the established mode to express a sense of obligation for the sentiments avowed, however unequally they may be returned. It is natural that obligation should be felt, and if I could feel gratitude, I would now thank you. But I cannot—I have never desired your good opinion, and you have certainly bestowed it most unwillingly. I am sorry to have occasioned pain to anyone. It has been most unconsciously done, however, and I hope will be of short duration. The feelings which, you tell me, have long prevented the acknowledgment of your regard, can have little difficulty in overcoming it after this explanation."
Mr. Darcy, who was leaning against the mantelpiece with his eyes fixed on her face, seemed to catch her words with no less resentment than surprise. His complexion became pale with anger, and the disturbance of his mind was visible in every feature. He was struggling for the appearance of composure, and would not open his lips till he believed himself to have attained it. The pause was to Elizabeth's feelings dreadful. At length, with a voice of forced calmness, he said:
"And this is all the reply which I am to have the honor of expecting! I might, perhaps, wish to be informed why, with so little endeavor at civility, I am thus rejected. But it is of small importance."
"I might as well inquire," replied she, "why with so evident a desire of offending and insulting me, you chose to tell me that you liked me against your will, against your reason, and even against your character? Was not this some excuse for incivility, if I was uncivil? But I have other provocations. You know I have. Had not my feelings decided against you—had they been indifferent, or had they even been favorable, do you think that any consideration would tempt me to accept the man who has been the means of ruining, perhaps forever, the happiness of a most beloved sister?"
As she pronounced these words, Mr. Darcy changed color; but the emotion was short, and he listened without attempting to interrupt her while she continued.
In this passage, the underlined word "warmth" in the third paragraph is closest in meaning to "__________."
Adapted from Pride and Prejudice by Jane Austen (1813)
She was suddenly roused by the sound of the doorbell, and her spirits were a little fluttered by the idea of its being Colonel Fitzwilliam himself, who had once before called late in the evening, and might now come to inquire particularly after her. But this idea was soon banished, and her spirits were very differently affected, when, to her utter amazement, she saw Mr. Darcy walk into the room. In an hurried manner he immediately began an inquiry after her health, imputing his visit to a wish of hearing that she were better. She answered him with cold civility. He sat down for a few moments, and then getting up, walked about the room. Elizabeth was surprised, but said not a word. After a silence of several minutes, he came towards her in an agitated manner, and thus began:
"In vain I have struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you."
Elizabeth's astonishment was beyond expression. She stared, colored, doubted, and was silent. This he considered sufficient encouragement, and the avowal of all that he felt, and had long felt for her, immediately followed. He spoke well, but there were feelings besides those of the heart to be detailed, and he was not more eloquent on the subject of tenderness than of pride. His sense of her inferiority—of its being a degradation—of the family obstacles which had always opposed to inclination, were dwelt on with a warmth that was very unlikely to recommend his suit.
In spite of her deeply-rooted dislike, she could not be insensible to the compliment of such a man's affection, and though her intentions did not vary for an instant, she was at first sorry for the pain he was to receive; till, roused to resentment by his subsequent language, she lost all compassion in anger. She tried, however, to compose herself to answer him with patience.
He concluded with representing to her the strength of that attachment that, in spite of all his endeavors, he had found impossible to conquer; and with expressing his hope that it would now be rewarded by her acceptance of his hand. As he said this, she could easily see that he had no doubt of a favorable answer. He spoke of apprehension and anxiety, but his countenance expressed real security. Such a circumstance could only exasperate farther, and, when he ceased, the color rose into her cheeks, and she said:
"In such cases as this, it is, I believe, the established mode to express a sense of obligation for the sentiments avowed, however unequally they may be returned. It is natural that obligation should be felt, and if I could feel gratitude, I would now thank you. But I cannot—I have never desired your good opinion, and you have certainly bestowed it most unwillingly. I am sorry to have occasioned pain to anyone. It has been most unconsciously done, however, and I hope will be of short duration. The feelings which, you tell me, have long prevented the acknowledgment of your regard, can have little difficulty in overcoming it after this explanation."
Mr. Darcy, who was leaning against the mantelpiece with his eyes fixed on her face, seemed to catch her words with no less resentment than surprise. His complexion became pale with anger, and the disturbance of his mind was visible in every feature. He was struggling for the appearance of composure, and would not open his lips till he believed himself to have attained it. The pause was to Elizabeth's feelings dreadful. At length, with a voice of forced calmness, he said:
"And this is all the reply which I am to have the honor of expecting! I might, perhaps, wish to be informed why, with so little endeavor at civility, I am thus rejected. But it is of small importance."
"I might as well inquire," replied she, "why with so evident a desire of offending and insulting me, you chose to tell me that you liked me against your will, against your reason, and even against your character? Was not this some excuse for incivility, if I was uncivil? But I have other provocations. You know I have. Had not my feelings decided against you—had they been indifferent, or had they even been favorable, do you think that any consideration would tempt me to accept the man who has been the means of ruining, perhaps forever, the happiness of a most beloved sister?"
As she pronounced these words, Mr. Darcy changed color; but the emotion was short, and he listened without attempting to interrupt her while she continued.
In this passage, the underlined word "warmth" in the third paragraph is closest in meaning to "__________."
While all of the other choices are more or less synonymous with the word "warmth," in this context, the word carries a negative connotation—it is clear that Elizabeth is not made happy by what she hears—and thus "intensity of emotion" is closest to the meaning intended here.
While all of the other choices are more or less synonymous with the word "warmth," in this context, the word carries a negative connotation—it is clear that Elizabeth is not made happy by what she hears—and thus "intensity of emotion" is closest to the meaning intended here.
Compare your answer with the correct one above
This is an excerpt from Bartleby, the Scrivener: A Story of Wall-Street by Herman Melville (1853)
I am a rather elderly man. The nature of my avocations for the last thirty years has brought me into more than ordinary contact with what would seem an interesting and somewhat singular set of men, of whom as yet nothing that I know of has ever been written—I mean the law-copyists or scriveners. I have known very many of them, professionally and privately, and if I pleased, could relate divers histories, at which good-natured gentlemen might smile, and sentimental souls might weep. But I waive the biographies of all other scriveners for a few passages in the life of Bartleby, who was a scrivener of the strangest I ever saw or heard of. While of other law-copyists I might write the complete life, of Bartleby nothing of that sort can be done. I believe that no materials exist for a full and satisfactory biography of this man. It is an irreparable loss to literature. Bartleby was one of those beings of whom nothing is ascertainable, except from the original sources, and in his case those are very small. What my own astonished eyes saw of Bartleby, that is all I know of him, except, indeed, one vague report which will appear in the sequel.
Ere introducing the scrivener, as he first appeared to me, it is fit I make some mention of myself, my employees, my business, my chambers, and general surroundings; because some such description is indispensable to an adequate understanding of the chief character about to be presented.
Imprimis: I am a man who, from his youth upwards, has been filled with a profound conviction that the easiest way of life is the best. Hence, though I belong to a profession proverbially energetic and nervous, even to turbulence, at times, yet nothing of that sort have I ever suffered to invade my peace. I am one of those unambitious lawyers who never addresses a jury, or in any way draws down public applause; but in the cool tranquility of a snug retreat, do a snug business among rich men's bonds and mortgages and title-deeds. All who know me, consider me an eminently safe man. The late John Jacob Astor, a personage little given to poetic enthusiasm, had no hesitation in pronouncing my first grand point to be prudence; my next, method. I do not speak it in vanity, but simply record the fact, that I was not unemployed in my profession by the late John Jacob Astor; a name which, I admit, I love to repeat, for it hath a rounded and orbicular sound to it, and rings like unto bullion. I will freely add, that I was not insensible to the late John Jacob Astor's good opinion.
Given the invocation of John Jacob Astor in the third paragraph, it can be inferred that the narrator is __________.
This is an excerpt from Bartleby, the Scrivener: A Story of Wall-Street by Herman Melville (1853)
I am a rather elderly man. The nature of my avocations for the last thirty years has brought me into more than ordinary contact with what would seem an interesting and somewhat singular set of men, of whom as yet nothing that I know of has ever been written—I mean the law-copyists or scriveners. I have known very many of them, professionally and privately, and if I pleased, could relate divers histories, at which good-natured gentlemen might smile, and sentimental souls might weep. But I waive the biographies of all other scriveners for a few passages in the life of Bartleby, who was a scrivener of the strangest I ever saw or heard of. While of other law-copyists I might write the complete life, of Bartleby nothing of that sort can be done. I believe that no materials exist for a full and satisfactory biography of this man. It is an irreparable loss to literature. Bartleby was one of those beings of whom nothing is ascertainable, except from the original sources, and in his case those are very small. What my own astonished eyes saw of Bartleby, that is all I know of him, except, indeed, one vague report which will appear in the sequel.
Ere introducing the scrivener, as he first appeared to me, it is fit I make some mention of myself, my employees, my business, my chambers, and general surroundings; because some such description is indispensable to an adequate understanding of the chief character about to be presented.
Imprimis: I am a man who, from his youth upwards, has been filled with a profound conviction that the easiest way of life is the best. Hence, though I belong to a profession proverbially energetic and nervous, even to turbulence, at times, yet nothing of that sort have I ever suffered to invade my peace. I am one of those unambitious lawyers who never addresses a jury, or in any way draws down public applause; but in the cool tranquility of a snug retreat, do a snug business among rich men's bonds and mortgages and title-deeds. All who know me, consider me an eminently safe man. The late John Jacob Astor, a personage little given to poetic enthusiasm, had no hesitation in pronouncing my first grand point to be prudence; my next, method. I do not speak it in vanity, but simply record the fact, that I was not unemployed in my profession by the late John Jacob Astor; a name which, I admit, I love to repeat, for it hath a rounded and orbicular sound to it, and rings like unto bullion. I will freely add, that I was not insensible to the late John Jacob Astor's good opinion.
Given the invocation of John Jacob Astor in the third paragraph, it can be inferred that the narrator is __________.
The narrator asserts that he enjoys his relationship with Mr. Astor. When he states that it is “a name which, I admit, I love to repeat,” he implies that he enjoys the affiliation with Astor for his title and wealth.
The narrator asserts that he enjoys his relationship with Mr. Astor. When he states that it is “a name which, I admit, I love to repeat,” he implies that he enjoys the affiliation with Astor for his title and wealth.
Compare your answer with the correct one above
Adapted from A Room with a View by E. M. Forster (1908)
Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point.
There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honor when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamored of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war—a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self.
Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop.
In the second paragraph, the underlined word “marked" most nearly means __________.
Adapted from A Room with a View by E. M. Forster (1908)
Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point.
There is much that is immortal in this medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honor when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamored of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war—a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self.
Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop.
In the second paragraph, the underlined word “marked" most nearly means __________.
The phrase "how full it is" reveals that the answer can't be "blemished." The word marked never means impugn. The sense of "mark" that means "impact" implies more action than the lady is capable of, and the sense of "mark" that means "evaluate" (as in "marking" or "grading" papers) doesn't fit in this context. "Observed" fits—the lady has seen how wonderful the world is, and thus desires to be part of it.
The phrase "how full it is" reveals that the answer can't be "blemished." The word marked never means impugn. The sense of "mark" that means "impact" implies more action than the lady is capable of, and the sense of "mark" that means "evaluate" (as in "marking" or "grading" papers) doesn't fit in this context. "Observed" fits—the lady has seen how wonderful the world is, and thus desires to be part of it.
Compare your answer with the correct one above
From "The Cask of Amontillado" by Edgar Allan Poe (1846):
The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat. At length I would be avenged; this was a point definitively settled — but the very definitiveness with which it was resolved precluded the idea of risk. I must not only punish but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.
It must be understood that neither by word nor deed had I given Fortunato cause to doubt my good will. I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation.
He had a weak point — this Fortunato — although in other regards he was a man to be respected and even feared. He prided himself upon his connoisseurship in wine. Few Italians have the true virtuoso spirit. For the most part their enthusiasm is adopted to suit the time and opportunity, to practice imposture upon the British and Austrian millionaires. In painting and gemmary, Fortunato, like his countrymen, was a quack, but in the matter of old wines he was sincere. In this respect I did not differ from him materially; — I was skilful in the Italian vintages myself, and bought largely whenever I could.
It was about dusk, one evening during the supreme madness of the carnival season, that I encountered my friend. He accosted me with excessive warmth, for he had been drinking much. The man wore motley. He had on a tight-fitting parti-striped dress, and his head was surmounted by the conical cap and bells. I was so pleased to see him that I thought I should never have done wringing his hand.
I said to him — “My dear Fortunato, you are luckily met. How remarkably well you are looking to-day. But I have received a pipe of what passes for Amontillado, and I have my doubts.”
“How?” said he. “Amontillado? A pipe? Impossible! And in the middle of the carnival!”
“I have my doubts,” I replied; “and I was silly enough to pay the full Amontillado price without consulting you in the matter. You were not to be found, and I was fearful of losing a bargain.”
“Amontillado!”
“I have my doubts.”
“Amontillado!”
“And I must satisfy them.”
“Amontillado!”
“As you are engaged, I am on my way to Luchresi. If any one has a critical turn it is he. He will tell me ——”
“Luchresi cannot tell Amontillado from Sherry.”
“And yet some fools will have it that his taste is a match for your own.”
“Come, let us go.”
“Whither?”
“To your vaults.”
In the line, "I must not only punish but punish with impunity," the word "impunity" is closest in meaning to what?
From "The Cask of Amontillado" by Edgar Allan Poe (1846):
The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat. At length I would be avenged; this was a point definitively settled — but the very definitiveness with which it was resolved precluded the idea of risk. I must not only punish but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.
It must be understood that neither by word nor deed had I given Fortunato cause to doubt my good will. I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation.
He had a weak point — this Fortunato — although in other regards he was a man to be respected and even feared. He prided himself upon his connoisseurship in wine. Few Italians have the true virtuoso spirit. For the most part their enthusiasm is adopted to suit the time and opportunity, to practice imposture upon the British and Austrian millionaires. In painting and gemmary, Fortunato, like his countrymen, was a quack, but in the matter of old wines he was sincere. In this respect I did not differ from him materially; — I was skilful in the Italian vintages myself, and bought largely whenever I could.
It was about dusk, one evening during the supreme madness of the carnival season, that I encountered my friend. He accosted me with excessive warmth, for he had been drinking much. The man wore motley. He had on a tight-fitting parti-striped dress, and his head was surmounted by the conical cap and bells. I was so pleased to see him that I thought I should never have done wringing his hand.
I said to him — “My dear Fortunato, you are luckily met. How remarkably well you are looking to-day. But I have received a pipe of what passes for Amontillado, and I have my doubts.”
“How?” said he. “Amontillado? A pipe? Impossible! And in the middle of the carnival!”
“I have my doubts,” I replied; “and I was silly enough to pay the full Amontillado price without consulting you in the matter. You were not to be found, and I was fearful of losing a bargain.”
“Amontillado!”
“I have my doubts.”
“Amontillado!”
“And I must satisfy them.”
“Amontillado!”
“As you are engaged, I am on my way to Luchresi. If any one has a critical turn it is he. He will tell me ——”
“Luchresi cannot tell Amontillado from Sherry.”
“And yet some fools will have it that his taste is a match for your own.”
“Come, let us go.”
“Whither?”
“To your vaults.”
In the line, "I must not only punish but punish with impunity," the word "impunity" is closest in meaning to what?
"Impunity" means "freedom from punishment or consequences" for an action. The next line in the passage suggests that Montresor's revenge will not be valid unless he himself is not punished as a result of it. Taking responsibility for an action would be the opposite of impunity, while exemption from legal action is too exact a meaning for this context as no potential legal actions are mentioned. To dispute the truth is to impugn it, which sounds the same as impunity but is otherwise not related.
"Impunity" means "freedom from punishment or consequences" for an action. The next line in the passage suggests that Montresor's revenge will not be valid unless he himself is not punished as a result of it. Taking responsibility for an action would be the opposite of impunity, while exemption from legal action is too exact a meaning for this context as no potential legal actions are mentioned. To dispute the truth is to impugn it, which sounds the same as impunity but is otherwise not related.
Compare your answer with the correct one above
Adapted from "The Cask of Amontillado" by Edgar Allan Poe (1846)
The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat. At length I would be avenged; this was a point definitively settled — but the very definitiveness with which it was resolved precluded the idea of risk. I must not only punish but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.
It must be understood that neither by word nor deed had I given Fortunato cause to doubt my good will. I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation.
He had a weak point — this Fortunato — although in other regards he was a man to be respected and even feared. He prided himself upon his connoisseurship in wine. Few Italians have the true virtuoso spirit. For the most part their enthusiasm is adopted to suit the time and opportunity, to practice imposture upon the British and Austrian millionaires. In painting and gemmary, Fortunato, like his countrymen, was a quack, but in the matter of old wines he was sincere. In this respect I did not differ from him materially; — I was skillful in the Italian vintages myself, and bought largely whenever I could.
It was about dusk, one evening during the supreme madness of the carnival season, that I encountered my friend. He accosted me with excessive warmth, for he had been drinking much. The man wore motley. He had on a tight-fitting parti-striped dress, and his head was surmounted by the conical cap and bells. I was so pleased to see him that I thought I should never have done wringing his hand.
I said to him — “My dear Fortunato, you are luckily met. How remarkably well you are looking to-day. But I have received a pipe of what passes for Amontillado, and I have my doubts.”
“How?” said he. “Amontillado? A pipe? Impossible! And in the middle of the carnival!”
“I have my doubts,” I replied; “and I was silly enough to pay the full Amontillado price without consulting you in the matter. You were not to be found, and I was fearful of losing a bargain.”
“Amontillado!”
“I have my doubts.”
“Amontillado!”
“And I must satisfy them.”
“Amontillado!”
“As you are engaged, I am on my way to Luchresi. If any one has a critical turn it is he. He will tell me ——”
“Luchresi cannot tell Amontillado from Sherry.”
“And yet some fools will have it that his taste is a match for your own.”
“Come, let us go.”
“Whither?”
“To your vaults.”
In the line, "I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation," the word wont is closest in meaning to what?
Adapted from "The Cask of Amontillado" by Edgar Allan Poe (1846)
The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat. At length I would be avenged; this was a point definitively settled — but the very definitiveness with which it was resolved precluded the idea of risk. I must not only punish but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.
It must be understood that neither by word nor deed had I given Fortunato cause to doubt my good will. I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation.
He had a weak point — this Fortunato — although in other regards he was a man to be respected and even feared. He prided himself upon his connoisseurship in wine. Few Italians have the true virtuoso spirit. For the most part their enthusiasm is adopted to suit the time and opportunity, to practice imposture upon the British and Austrian millionaires. In painting and gemmary, Fortunato, like his countrymen, was a quack, but in the matter of old wines he was sincere. In this respect I did not differ from him materially; — I was skillful in the Italian vintages myself, and bought largely whenever I could.
It was about dusk, one evening during the supreme madness of the carnival season, that I encountered my friend. He accosted me with excessive warmth, for he had been drinking much. The man wore motley. He had on a tight-fitting parti-striped dress, and his head was surmounted by the conical cap and bells. I was so pleased to see him that I thought I should never have done wringing his hand.
I said to him — “My dear Fortunato, you are luckily met. How remarkably well you are looking to-day. But I have received a pipe of what passes for Amontillado, and I have my doubts.”
“How?” said he. “Amontillado? A pipe? Impossible! And in the middle of the carnival!”
“I have my doubts,” I replied; “and I was silly enough to pay the full Amontillado price without consulting you in the matter. You were not to be found, and I was fearful of losing a bargain.”
“Amontillado!”
“I have my doubts.”
“Amontillado!”
“And I must satisfy them.”
“Amontillado!”
“As you are engaged, I am on my way to Luchresi. If any one has a critical turn it is he. He will tell me ——”
“Luchresi cannot tell Amontillado from Sherry.”
“And yet some fools will have it that his taste is a match for your own.”
“Come, let us go.”
“Whither?”
“To your vaults.”
In the line, "I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation," the word wont is closest in meaning to what?
Although the word wont looks closest to the contraction "won't" (meaning "will not"), it actually means a habitual way of doing something. It is pronounced in the same way as "want," but it does not mean a desire or need for something. Replacing the word in the sentence with the word "habit" will make the meaning clear.
Although the word wont looks closest to the contraction "won't" (meaning "will not"), it actually means a habitual way of doing something. It is pronounced in the same way as "want," but it does not mean a desire or need for something. Replacing the word in the sentence with the word "habit" will make the meaning clear.
Compare your answer with the correct one above
From "The Cask of Amontillado" by Edgar Allan Poe (1846):
The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat. At length I would be avenged; this was a point definitively settled — but the very definitiveness with which it was resolved precluded the idea of risk. I must not only punish but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.
It must be understood that neither by word nor deed had I given Fortunato cause to doubt my good will. I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation.
He had a weak point — this Fortunato — although in other regards he was a man to be respected and even feared. He prided himself upon his connoisseurship in wine. Few Italians have the true virtuoso spirit. For the most part their enthusiasm is adopted to suit the time and opportunity, to practice imposture upon the British and Austrian millionaires. In painting and gemmary, Fortunato, like his countrymen, was a quack, but in the matter of old wines he was sincere. In this respect I did not differ from him materially; — I was skilful in the Italian vintages myself, and bought largely whenever I could.
It was about dusk, one evening during the supreme madness of the carnival season, that I encountered my friend. He accosted me with excessive warmth, for he had been drinking much. The man wore motley. He had on a tight-fitting parti-striped dress, and his head was surmounted by the conical cap and bells. I was so pleased to see him that I thought I should never have done wringing his hand.
I said to him — “My dear Fortunato, you are luckily met. How remarkably well you are looking to-day. But I have received a pipe of what passes for Amontillado, and I have my doubts.”
“How?” said he. “Amontillado? A pipe? Impossible! And in the middle of the carnival!”
“I have my doubts,” I replied; “and I was silly enough to pay the full Amontillado price without consulting you in the matter. You were not to be found, and I was fearful of losing a bargain.”
“Amontillado!”
“I have my doubts.”
“Amontillado!”
“And I must satisfy them.”
“Amontillado!”
“As you are engaged, I am on my way to Luchresi. If any one has a critical turn it is he. He will tell me ——”
“Luchresi cannot tell Amontillado from Sherry.”
“And yet some fools will have it that his taste is a match for your own.”
“Come, let us go.”
“Whither?”
“To your vaults.”
In the line "I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation," the word immolation is closest in meaning to what?
From "The Cask of Amontillado" by Edgar Allan Poe (1846):
The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat. At length I would be avenged; this was a point definitively settled — but the very definitiveness with which it was resolved precluded the idea of risk. I must not only punish but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.
It must be understood that neither by word nor deed had I given Fortunato cause to doubt my good will. I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation.
He had a weak point — this Fortunato — although in other regards he was a man to be respected and even feared. He prided himself upon his connoisseurship in wine. Few Italians have the true virtuoso spirit. For the most part their enthusiasm is adopted to suit the time and opportunity, to practice imposture upon the British and Austrian millionaires. In painting and gemmary, Fortunato, like his countrymen, was a quack, but in the matter of old wines he was sincere. In this respect I did not differ from him materially; — I was skilful in the Italian vintages myself, and bought largely whenever I could.
It was about dusk, one evening during the supreme madness of the carnival season, that I encountered my friend. He accosted me with excessive warmth, for he had been drinking much. The man wore motley. He had on a tight-fitting parti-striped dress, and his head was surmounted by the conical cap and bells. I was so pleased to see him that I thought I should never have done wringing his hand.
I said to him — “My dear Fortunato, you are luckily met. How remarkably well you are looking to-day. But I have received a pipe of what passes for Amontillado, and I have my doubts.”
“How?” said he. “Amontillado? A pipe? Impossible! And in the middle of the carnival!”
“I have my doubts,” I replied; “and I was silly enough to pay the full Amontillado price without consulting you in the matter. You were not to be found, and I was fearful of losing a bargain.”
“Amontillado!”
“I have my doubts.”
“Amontillado!”
“And I must satisfy them.”
“Amontillado!”
“As you are engaged, I am on my way to Luchresi. If any one has a critical turn it is he. He will tell me ——”
“Luchresi cannot tell Amontillado from Sherry.”
“And yet some fools will have it that his taste is a match for your own.”
“Come, let us go.”
“Whither?”
“To your vaults.”
In the line "I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation," the word immolation is closest in meaning to what?
Immolation is a word meaning "sacrifice", especially by fire. Burning oneself in an act of protest is considered self-immolation and thus would be incorrect in this context. "Punishment" is too broad a meaning for this word, and if Montresor were to chastise Fortunato, he'd simply be talking to him rather than planning something worse.
Immolation is a word meaning "sacrifice", especially by fire. Burning oneself in an act of protest is considered self-immolation and thus would be incorrect in this context. "Punishment" is too broad a meaning for this word, and if Montresor were to chastise Fortunato, he'd simply be talking to him rather than planning something worse.
Compare your answer with the correct one above
Adapted from Pride and Prejudice, by Jane Austen (1813)
Happy for all her maternal feelings was the day on which Mrs. Bennet got rid of her two most deserving daughters. With what delighted pride she afterwards visited Mrs. Bingley, and talked of Mrs. Darcy, may be guessed. I wish I could say, for the sake of her family, that the accomplishment of her earnest desire in the establishment of so many of her children produced so happy an effect as to make her a sensible, amiable, well-informed woman for the rest of her life; though perhaps it was lucky for her husband, who might not have relished domestic felicity in so unusual a form, that she still was occasionally nervous and invariably silly.
Mr. Bennet missed his second daughter exceedingly; his affection for her drew him oftener from home than anything else could do. He delighted in going to Pemberley, especially when he was least expected.
Mr. Bingley and Jane remained at Netherfield only a twelvemonth. So near a vicinity to her mother and Meryton relations was not desirable even to his easy temper, or her affectionate heart. The darling wish of his sisters was then gratified; he bought an estate in a neighboring county to Derbyshire, and Jane and Elizabeth, in addition to every other source of happiness, were within thirty miles of each other.
Kitty, to her very material advantage, spent the chief of her time with her two elder sisters. In society so superior to what she had generally known, her improvement was great. She was not of so ungovernable a temper as Lydia; and, removed from the influence of Lydia's example, she became, by proper attention and management, less irritable, less ignorant, and less insipid. From the further disadvantage of Lydia's society she was of course carefully kept, and though Mrs. Wickham frequently invited her to come and stay with her, with the promise of balls and young men, her father would never consent to her going.
Mary was the only daughter who remained at home; and she was necessarily drawn from the pursuit of accomplishments by Mrs. Bennet's being quite unable to sit alone. Mary was obliged to mix more with the world, but she could still moralize over every morning visit; and as she was no longer mortified by comparisons between her sisters' beauty and her own, it was suspected by her father that she submitted to the change without much reluctance.
In the context of this passage, "ungovernable" is most likely closest in meaning to what?
Adapted from Pride and Prejudice, by Jane Austen (1813)
Happy for all her maternal feelings was the day on which Mrs. Bennet got rid of her two most deserving daughters. With what delighted pride she afterwards visited Mrs. Bingley, and talked of Mrs. Darcy, may be guessed. I wish I could say, for the sake of her family, that the accomplishment of her earnest desire in the establishment of so many of her children produced so happy an effect as to make her a sensible, amiable, well-informed woman for the rest of her life; though perhaps it was lucky for her husband, who might not have relished domestic felicity in so unusual a form, that she still was occasionally nervous and invariably silly.
Mr. Bennet missed his second daughter exceedingly; his affection for her drew him oftener from home than anything else could do. He delighted in going to Pemberley, especially when he was least expected.
Mr. Bingley and Jane remained at Netherfield only a twelvemonth. So near a vicinity to her mother and Meryton relations was not desirable even to his easy temper, or her affectionate heart. The darling wish of his sisters was then gratified; he bought an estate in a neighboring county to Derbyshire, and Jane and Elizabeth, in addition to every other source of happiness, were within thirty miles of each other.
Kitty, to her very material advantage, spent the chief of her time with her two elder sisters. In society so superior to what she had generally known, her improvement was great. She was not of so ungovernable a temper as Lydia; and, removed from the influence of Lydia's example, she became, by proper attention and management, less irritable, less ignorant, and less insipid. From the further disadvantage of Lydia's society she was of course carefully kept, and though Mrs. Wickham frequently invited her to come and stay with her, with the promise of balls and young men, her father would never consent to her going.
Mary was the only daughter who remained at home; and she was necessarily drawn from the pursuit of accomplishments by Mrs. Bennet's being quite unable to sit alone. Mary was obliged to mix more with the world, but she could still moralize over every morning visit; and as she was no longer mortified by comparisons between her sisters' beauty and her own, it was suspected by her father that she submitted to the change without much reluctance.
In the context of this passage, "ungovernable" is most likely closest in meaning to what?
In Austen's time, young women generally had a governess who taught them manners and proper comportment, and any young woman who could not be controlled was considered ungovernable - in this case, "uncontrollable" is the correct answer.
In Austen's time, young women generally had a governess who taught them manners and proper comportment, and any young woman who could not be controlled was considered ungovernable - in this case, "uncontrollable" is the correct answer.
Compare your answer with the correct one above
This is an excerpt from Wieland: or, the Transformation, an American Tale by Charles Brockden Brown (1798)
My state is not destitute of tranquillity. The sentiment that dictates my feelings is not hope. Futurity has no power over my thoughts. To all that is to come I am perfectly indifferent. With regard to myself, I have nothing more to fear. Fate has done its worst. Henceforth, I am callous to misfortune. I address no supplication to the Deity. The power that governs the course of human affairs has chosen his path. The decree that ascertained the condition of my life, admits of no recall. No doubt it squares with the maxims of eternal equity. That is neither to be questioned nor denied by me. It suffices that the past is exempt from mutation. The storm that tore up our happiness, and changed into dreariness and desert the blooming scene of our existence, is lulled into grim repose; but not until the victim was transfixed and mangled; till every obstacle was dissipated by its rage; till every remnant of good was wrested from our grasp and exterminated.
How will your wonder, and that of your companions, be excited by my story! Every sentiment will yield to your amazement. If my testimony were without corroborations, you would reject it as incredible. The experience of no human being can furnish a parallel: That I, beyond the rest of mankind, should be reserved for a destiny without alleviation, and without example! Listen to my narrative, and then say what it is that has made me deserve to be placed on this dreadful eminence, if, indeed, every faculty be not suspended in wonder that I am still alive, and am able to relate it. My father's ancestry was noble on the paternal side; but his mother was the daughter of a merchant. My grandfather was a younger brother, and a native of Saxony. He was placed, when he had reached the suitable age, at a German college. During the vacations, he employed himself in traversing the neighbouring territory. On one occasion it was his fortune to visit Hamburg. He formed an acquaintance with Leonard Weise, a merchant of that city, and was a frequent guest at his house. The merchant had an only daughter, for whom his guest speedily contracted an affection; and, in spite of parental menaces and prohibitions, he, in due season, became her husband.
“Dictates,” in in the second sentence, most closely means which of the following?
This is an excerpt from Wieland: or, the Transformation, an American Tale by Charles Brockden Brown (1798)
My state is not destitute of tranquillity. The sentiment that dictates my feelings is not hope. Futurity has no power over my thoughts. To all that is to come I am perfectly indifferent. With regard to myself, I have nothing more to fear. Fate has done its worst. Henceforth, I am callous to misfortune. I address no supplication to the Deity. The power that governs the course of human affairs has chosen his path. The decree that ascertained the condition of my life, admits of no recall. No doubt it squares with the maxims of eternal equity. That is neither to be questioned nor denied by me. It suffices that the past is exempt from mutation. The storm that tore up our happiness, and changed into dreariness and desert the blooming scene of our existence, is lulled into grim repose; but not until the victim was transfixed and mangled; till every obstacle was dissipated by its rage; till every remnant of good was wrested from our grasp and exterminated.
How will your wonder, and that of your companions, be excited by my story! Every sentiment will yield to your amazement. If my testimony were without corroborations, you would reject it as incredible. The experience of no human being can furnish a parallel: That I, beyond the rest of mankind, should be reserved for a destiny without alleviation, and without example! Listen to my narrative, and then say what it is that has made me deserve to be placed on this dreadful eminence, if, indeed, every faculty be not suspended in wonder that I am still alive, and am able to relate it. My father's ancestry was noble on the paternal side; but his mother was the daughter of a merchant. My grandfather was a younger brother, and a native of Saxony. He was placed, when he had reached the suitable age, at a German college. During the vacations, he employed himself in traversing the neighbouring territory. On one occasion it was his fortune to visit Hamburg. He formed an acquaintance with Leonard Weise, a merchant of that city, and was a frequent guest at his house. The merchant had an only daughter, for whom his guest speedily contracted an affection; and, in spite of parental menaces and prohibitions, he, in due season, became her husband.
“Dictates,” in in the second sentence, most closely means which of the following?
The term dictate is used with regard to instruction, but in this phrase it indicates that hope is not governing the speaker; rather, the sentiment that governs him is something else.
The term dictate is used with regard to instruction, but in this phrase it indicates that hope is not governing the speaker; rather, the sentiment that governs him is something else.
Compare your answer with the correct one above
This is an excerpt from Wieland: or, the Transformation, an American Tale by Charles Brockden Brown (1798)
My state is not destitute of tranquillity. The sentiment that dictates my feelings is not hope. Futurity has no power over my thoughts. To all that is to come I am perfectly indifferent. With regard to myself, I have nothing more to fear. Fate has done its worst. Henceforth, I am callous to misfortune. I address no supplication to the Deity. The power that governs the course of human affairs has chosen his path. The decree that ascertained the condition of my life, admits of no recall. No doubt it squares with the maxims of eternal equity. That is neither to be questioned nor denied by me. It suffices that the past is exempt from mutation. The storm that tore up our happiness, and changed into dreariness and desert the blooming scene of our existence, is lulled into grim repose; but not until the victim was transfixed and mangled; till every obstacle was dissipated by its rage; till every remnant of good was wrested from our grasp and exterminated.
How will your wonder, and that of your companions, be excited by my story! Every sentiment will yield to your amazement. If my testimony were without corroborations, you would reject it as incredible. The experience of no human being can furnish a parallel: That I, beyond the rest of mankind, should be reserved for a destiny without alleviation, and without example! Listen to my narrative, and then say what it is that has made me deserve to be placed on this dreadful eminence, if, indeed, every faculty be not suspended in wonder that I am still alive, and am able to relate it. My father's ancestry was noble on the paternal side; but his mother was the daughter of a merchant. My grandfather was a younger brother, and a native of Saxony. He was placed, when he had reached the suitable age, at a German college. During the vacations, he employed himself in traversing the neighbouring territory. On one occasion it was his fortune to visit Hamburg. He formed an acquaintance with Leonard Weise, a merchant of that city, and was a frequent guest at his house. The merchant had an only daughter, for whom his guest speedily contracted an affection; and, in spite of parental menaces and prohibitions, he, in due season, became her husband.
In the following passage “Fate has done its worst. Henceforth, I am callous to misfortune. I address no supplication to the Deity. The power that governs the course of human affairs has chosen his path,” callous most nearly means what?
This is an excerpt from Wieland: or, the Transformation, an American Tale by Charles Brockden Brown (1798)
My state is not destitute of tranquillity. The sentiment that dictates my feelings is not hope. Futurity has no power over my thoughts. To all that is to come I am perfectly indifferent. With regard to myself, I have nothing more to fear. Fate has done its worst. Henceforth, I am callous to misfortune. I address no supplication to the Deity. The power that governs the course of human affairs has chosen his path. The decree that ascertained the condition of my life, admits of no recall. No doubt it squares with the maxims of eternal equity. That is neither to be questioned nor denied by me. It suffices that the past is exempt from mutation. The storm that tore up our happiness, and changed into dreariness and desert the blooming scene of our existence, is lulled into grim repose; but not until the victim was transfixed and mangled; till every obstacle was dissipated by its rage; till every remnant of good was wrested from our grasp and exterminated.
How will your wonder, and that of your companions, be excited by my story! Every sentiment will yield to your amazement. If my testimony were without corroborations, you would reject it as incredible. The experience of no human being can furnish a parallel: That I, beyond the rest of mankind, should be reserved for a destiny without alleviation, and without example! Listen to my narrative, and then say what it is that has made me deserve to be placed on this dreadful eminence, if, indeed, every faculty be not suspended in wonder that I am still alive, and am able to relate it. My father's ancestry was noble on the paternal side; but his mother was the daughter of a merchant. My grandfather was a younger brother, and a native of Saxony. He was placed, when he had reached the suitable age, at a German college. During the vacations, he employed himself in traversing the neighbouring territory. On one occasion it was his fortune to visit Hamburg. He formed an acquaintance with Leonard Weise, a merchant of that city, and was a frequent guest at his house. The merchant had an only daughter, for whom his guest speedily contracted an affection; and, in spite of parental menaces and prohibitions, he, in due season, became her husband.
In the following passage “Fate has done its worst. Henceforth, I am callous to misfortune. I address no supplication to the Deity. The power that governs the course of human affairs has chosen his path,” callous most nearly means what?
The speaker indicates that fate has already negatively influenced his life, “done its worst.” It is reasonable to understand “callous” in this phrase to mean unfeeling or nearly immune to misfortune since the speaker has already seen the worst.
The speaker indicates that fate has already negatively influenced his life, “done its worst.” It is reasonable to understand “callous” in this phrase to mean unfeeling or nearly immune to misfortune since the speaker has already seen the worst.
Compare your answer with the correct one above
Excerpted from Robinson Crusoe by Daniel Defoe (1719)
I was sincerely affected with this discourse, and, indeed, who could be otherwise? I resolved not to think of going abroad any more, but to settle at home according to my father's desire. But alas! a few days wore it all off; and, in short, to prevent any of my father's further importunities, in a few weeks after I resolved to run quite away from him. However, I did not act quite so hastily as the first heat of my resolution prompted; but I took my mother at a time when I thought her a little more pleasant than ordinary, and told her that my thoughts were so entirely bent upon seeing the world that I should never settle to anything with resolution enough to go through with it, and my father had better give me his consent than force me to go without it; that I was now eighteen years old, which was too late to go apprentice to a trade or clerk to an attorney; that I was sure if I did I should never serve out my time, but I should certainly run away from my master before my time was out, and go to sea; and if she would speak to my father to let me go one voyage abroad, if I came home again, and did not like it, I would go no more; and I would promise, by a double diligence, to recover the time that I had lost. This put my mother into a great passion; she told me she knew it would be to no purpose to speak to my father upon any such subject; that he knew too well what was my interest to give his consent to anything so much for my hurt; and that she wondered how I could think of any such thing after the discourse I had had with my father, and such kind and tender expressions as she knew my father had used to me; and that, in short, if I would ruin myself, there was no help for me; but I might depend I should never have their consent to it; that for her part she would not have so much hand in my destruction; and I should never have it to say that my mother was willing when my father was not.
The word “importunities” most nearly means which of the following?
Excerpted from Robinson Crusoe by Daniel Defoe (1719)
I was sincerely affected with this discourse, and, indeed, who could be otherwise? I resolved not to think of going abroad any more, but to settle at home according to my father's desire. But alas! a few days wore it all off; and, in short, to prevent any of my father's further importunities, in a few weeks after I resolved to run quite away from him. However, I did not act quite so hastily as the first heat of my resolution prompted; but I took my mother at a time when I thought her a little more pleasant than ordinary, and told her that my thoughts were so entirely bent upon seeing the world that I should never settle to anything with resolution enough to go through with it, and my father had better give me his consent than force me to go without it; that I was now eighteen years old, which was too late to go apprentice to a trade or clerk to an attorney; that I was sure if I did I should never serve out my time, but I should certainly run away from my master before my time was out, and go to sea; and if she would speak to my father to let me go one voyage abroad, if I came home again, and did not like it, I would go no more; and I would promise, by a double diligence, to recover the time that I had lost. This put my mother into a great passion; she told me she knew it would be to no purpose to speak to my father upon any such subject; that he knew too well what was my interest to give his consent to anything so much for my hurt; and that she wondered how I could think of any such thing after the discourse I had had with my father, and such kind and tender expressions as she knew my father had used to me; and that, in short, if I would ruin myself, there was no help for me; but I might depend I should never have their consent to it; that for her part she would not have so much hand in my destruction; and I should never have it to say that my mother was willing when my father was not.
The word “importunities” most nearly means which of the following?
In context, it can be understood that the narrator is referring to following his father’s regulations and demands.
In context, it can be understood that the narrator is referring to following his father’s regulations and demands.
Compare your answer with the correct one above
This is an excerpt from The Mysteries of Udolpho by Ann Radcliffe (1794)
St. Aubert cultivated her understanding with the most scrupulous care. He gave her a general view of the sciences, and an exact acquaintance with every part of elegant literature. He taught her Latin and English, chiefly that she might understand the sublimity of their best poets. She discovered in her early years a taste for works of genius; and it was St. Aubert’s principle, as well as his inclination, to promote every innocent means of happiness. “A well-informed mind,” he would say, “is the best security against the contagion of folly and of vice. The vacant mind is ever on the watch for relief, and ready to plunge into error, to escape from the languor of idleness. Store it with ideas, teach it the pleasure of thinking; and the temptations of the world without, will be counteracted by the gratifications derived from the world within. Thought, and cultivation, are necessary equally to the happiness of a country and a city life; in the first they prevent the uneasy sensations of indolence, and afford a sublime pleasure in the taste they create for the beautiful, and the grand; in the latter, they make dissipation less an object of necessity, and consequently of interest.”
The word “scrupulous” most nearly means which of the following?
This is an excerpt from The Mysteries of Udolpho by Ann Radcliffe (1794)
St. Aubert cultivated her understanding with the most scrupulous care. He gave her a general view of the sciences, and an exact acquaintance with every part of elegant literature. He taught her Latin and English, chiefly that she might understand the sublimity of their best poets. She discovered in her early years a taste for works of genius; and it was St. Aubert’s principle, as well as his inclination, to promote every innocent means of happiness. “A well-informed mind,” he would say, “is the best security against the contagion of folly and of vice. The vacant mind is ever on the watch for relief, and ready to plunge into error, to escape from the languor of idleness. Store it with ideas, teach it the pleasure of thinking; and the temptations of the world without, will be counteracted by the gratifications derived from the world within. Thought, and cultivation, are necessary equally to the happiness of a country and a city life; in the first they prevent the uneasy sensations of indolence, and afford a sublime pleasure in the taste they create for the beautiful, and the grand; in the latter, they make dissipation less an object of necessity, and consequently of interest.”
The word “scrupulous” most nearly means which of the following?
In context, "scrupulous" clearly implies an attentive education. The following sentence goes on to outline a quite impressive list of subjects.
In context, "scrupulous" clearly implies an attentive education. The following sentence goes on to outline a quite impressive list of subjects.
Compare your answer with the correct one above
This is an excerpt from The Mysteries of Udolpho by Ann Radcliffe (1794)
It was one of Emily's earliest pleasures to ramble among the scenes of nature; nor was it in the soft and glowing landscape that she most delighted; she loved more the wild wood-walks that skirted the mountain, and still more the mountain's stupendous recesses, where the silence and grandeur of solitude impressed a sacred awe upon her heart, and lifted her thoughts to the GOD OF HEAVEN AND EARTH. In scenes like these she would often linger along, wrapt in a melancholy charm, till the last gleam of day faded from the west; till the lonely sound of a sheep-bell, or the distant bark of a watch-dog, were all that broke on the stillness of the evening. Then, the gloom of the woods; the trembling of their leaves, at intervals, in the breeze; the bat, flitting on the twilight; the cottage-lights, now seen, and now lost—were circumstances that awakened her mind into effort, and led to enthusiasm and poetry.
In context, “stupendous” most nearly means which of the following?
This is an excerpt from The Mysteries of Udolpho by Ann Radcliffe (1794)
It was one of Emily's earliest pleasures to ramble among the scenes of nature; nor was it in the soft and glowing landscape that she most delighted; she loved more the wild wood-walks that skirted the mountain, and still more the mountain's stupendous recesses, where the silence and grandeur of solitude impressed a sacred awe upon her heart, and lifted her thoughts to the GOD OF HEAVEN AND EARTH. In scenes like these she would often linger along, wrapt in a melancholy charm, till the last gleam of day faded from the west; till the lonely sound of a sheep-bell, or the distant bark of a watch-dog, were all that broke on the stillness of the evening. Then, the gloom of the woods; the trembling of their leaves, at intervals, in the breeze; the bat, flitting on the twilight; the cottage-lights, now seen, and now lost—were circumstances that awakened her mind into effort, and led to enthusiasm and poetry.
In context, “stupendous” most nearly means which of the following?
Nature is described in this scene in the following manner: “glowing landscape that she most delighted; she loved more the wild wood-walks, that skirted the mountain; and still more the mountain's stupendous recesses, where the silence and grandeur of solitude impressed a sacred awe upon her heart.” It can be inferred that the mountains, though somewhat daunting, amaze Emily.
Nature is described in this scene in the following manner: “glowing landscape that she most delighted; she loved more the wild wood-walks, that skirted the mountain; and still more the mountain's stupendous recesses, where the silence and grandeur of solitude impressed a sacred awe upon her heart.” It can be inferred that the mountains, though somewhat daunting, amaze Emily.
Compare your answer with the correct one above
Adapted from “The McWilliamses and the Burglar Alarm” in The Mysterious Stranger and Other Stories by Mark Twain (1898; 1916)
The conversation drifted along from weather to crops, from crops to literature, from literature to scandal, from scandal to religion; then took a random jump, and landed on the subject of burglar alarms. And now for the first time Mr. McWilliams showed feeling. Whenever I perceive this sign on this man's dial, I comprehend it, and lapse into silence, and give him opportunity to unload his heart. Said he, with but ill-controlled emotion:
"I do not go one single cent on burglar alarms, Mr. Twain—not a single cent—and I will tell you why. When we were finishing our house, we found we had a little cash left over. I was for donating it to charity; but Mrs. McWilliams said no, let's have a burglar alarm. I agreed to this compromise. Whenever I want a thing, and Mrs. McWilliams wants another thing, and we decide upon the thing that Mrs. McWilliams wants—as we always do—she calls that a compromise. Very well: the man came up from New York and put in the alarm, and charged three hundred and twenty-five dollars for it, and said we could sleep without uneasiness now. So we did for awhile—say a month. Then one night we smelled smoke. I lit a candle, and started toward the stairs, and met a burglar coming out of a room with a basket of tinware, which he had mistaken for solid silver in the dark. He was smoking a pipe. I said, 'My friend, we do not allow smoking in this room.' He said he was a stranger, and could not be expected to know the rules of the house: said he had been in many houses just as good as this one, and it had never been objected to before.
"I said: 'Smoke along, then. But what business have you to be entering this house in this furtive and clandestine way, without ringing the burglar alarm?’
He looked confused and ashamed, and said, with embarrassment: 'I beg a thousand pardons. I did not know you had a burglar alarm, else I would have rung it. I beg you will not mention it where my parents may hear of it, for they are old and feeble, and such a seemingly wanton breach of the hallowed conventionalities of our civilization might all too rudely sunder the frail bridge which hangs darkling between the pale and evanescent present and the solemn great deeps of the eternities. May I trouble you for a match?’
"I said: 'Your sentiments do you honor, but metaphor is not your best hold. Spare your thigh; this kind light only on the box. But to return to business: how did you get in here?’”
The underlined words “furtive” and “clandestine” are each used in the passage to mean __________.
Adapted from “The McWilliamses and the Burglar Alarm” in The Mysterious Stranger and Other Stories by Mark Twain (1898; 1916)
The conversation drifted along from weather to crops, from crops to literature, from literature to scandal, from scandal to religion; then took a random jump, and landed on the subject of burglar alarms. And now for the first time Mr. McWilliams showed feeling. Whenever I perceive this sign on this man's dial, I comprehend it, and lapse into silence, and give him opportunity to unload his heart. Said he, with but ill-controlled emotion:
"I do not go one single cent on burglar alarms, Mr. Twain—not a single cent—and I will tell you why. When we were finishing our house, we found we had a little cash left over. I was for donating it to charity; but Mrs. McWilliams said no, let's have a burglar alarm. I agreed to this compromise. Whenever I want a thing, and Mrs. McWilliams wants another thing, and we decide upon the thing that Mrs. McWilliams wants—as we always do—she calls that a compromise. Very well: the man came up from New York and put in the alarm, and charged three hundred and twenty-five dollars for it, and said we could sleep without uneasiness now. So we did for awhile—say a month. Then one night we smelled smoke. I lit a candle, and started toward the stairs, and met a burglar coming out of a room with a basket of tinware, which he had mistaken for solid silver in the dark. He was smoking a pipe. I said, 'My friend, we do not allow smoking in this room.' He said he was a stranger, and could not be expected to know the rules of the house: said he had been in many houses just as good as this one, and it had never been objected to before.
"I said: 'Smoke along, then. But what business have you to be entering this house in this furtive and clandestine way, without ringing the burglar alarm?’
He looked confused and ashamed, and said, with embarrassment: 'I beg a thousand pardons. I did not know you had a burglar alarm, else I would have rung it. I beg you will not mention it where my parents may hear of it, for they are old and feeble, and such a seemingly wanton breach of the hallowed conventionalities of our civilization might all too rudely sunder the frail bridge which hangs darkling between the pale and evanescent present and the solemn great deeps of the eternities. May I trouble you for a match?’
"I said: 'Your sentiments do you honor, but metaphor is not your best hold. Spare your thigh; this kind light only on the box. But to return to business: how did you get in here?’”
The underlined words “furtive” and “clandestine” are each used in the passage to mean __________.
Both “furtive” and “clandestine” mean secretive and stealthy, but you can figure out what they mean by considering how the author uses them in the passage. Both words are used in the passage after Mr McWilliams has discovered a burglar in his house, when he says, “Smoke along, then. But what business have you to be entering this house in this furtive and clandestine way, without ringing the burglar alarm?” Mr. McWilliams expected the burglar to ring the burglar alarm when entering the house, and the burglar did not; as a result, he entered the house in a “furtive and clandestine” way. If the burglar had run the burglar alarm, he would have entered the house in an obvious way, because he would have clearly announced himself. However, he did not. Which of the possible answer choices makes the best opposite of “clearly announced” and “obvious”? “Sneaky” is the best choice, and the correct answer.
Both “furtive” and “clandestine” mean secretive and stealthy, but you can figure out what they mean by considering how the author uses them in the passage. Both words are used in the passage after Mr McWilliams has discovered a burglar in his house, when he says, “Smoke along, then. But what business have you to be entering this house in this furtive and clandestine way, without ringing the burglar alarm?” Mr. McWilliams expected the burglar to ring the burglar alarm when entering the house, and the burglar did not; as a result, he entered the house in a “furtive and clandestine” way. If the burglar had run the burglar alarm, he would have entered the house in an obvious way, because he would have clearly announced himself. However, he did not. Which of the possible answer choices makes the best opposite of “clearly announced” and “obvious”? “Sneaky” is the best choice, and the correct answer.
Compare your answer with the correct one above
Adapted from The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson (1886)
I was born in the year 18— to a large fortune, endowed besides with excellent parts, inclined by nature to industry, fond of the respect of the wise and good among my fellow-men, and thus, as might have been supposed, with every guarantee of an honourable and distinguished future. And indeed the worst of my faults was a certain impatient gaiety of disposition, such as had made the happiness of many, but such as I found it hard to reconcile with my imperious desire to carry my head high, and wear a more than commonly grave countenance before the public.
Hence it came about that I concealed my pleasures; and that when I reached years of reflection, and began to look round me and take stock of my progress and position in the world, I stood already committed to a profound duplicity of life. Many a man would have even blazoned such irregularities as I was guilty of; but from the high views that I had set before me, I regarded and hid them with an almost morbid sense of shame. It was thus rather the exacting nature of my aspirations than any particular degradation in my faults, that made me what I was and, with even a deeper trench than in the majority of men, severed in me those provinces of good and ill which divide and compound man's dual nature.
. . .
And it chanced that the direction of my scientific studies, which led wholly towards the mystic and the transcendental, reacted and shed a strong light on this consciousness of the perennial war among my members. With every day, and from both sides of my intelligence, the moral and the intellectual, I thus drew steadily nearer to that truth, by whose partial discovery I have been doomed to such a dreadful shipwreck: that man is not truly one, but truly two. I say two, because the state of my own knowledge does not pass beyond that point. Others will follow, others will outstrip me on the same lines; and I hazard the guess that man will be ultimately known for a mere polity of multifarious, incongruous and independent denizens.
The word "imperious," in this context, most nearly means __________.
Adapted from The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson (1886)
I was born in the year 18— to a large fortune, endowed besides with excellent parts, inclined by nature to industry, fond of the respect of the wise and good among my fellow-men, and thus, as might have been supposed, with every guarantee of an honourable and distinguished future. And indeed the worst of my faults was a certain impatient gaiety of disposition, such as had made the happiness of many, but such as I found it hard to reconcile with my imperious desire to carry my head high, and wear a more than commonly grave countenance before the public.
Hence it came about that I concealed my pleasures; and that when I reached years of reflection, and began to look round me and take stock of my progress and position in the world, I stood already committed to a profound duplicity of life. Many a man would have even blazoned such irregularities as I was guilty of; but from the high views that I had set before me, I regarded and hid them with an almost morbid sense of shame. It was thus rather the exacting nature of my aspirations than any particular degradation in my faults, that made me what I was and, with even a deeper trench than in the majority of men, severed in me those provinces of good and ill which divide and compound man's dual nature.
. . .
And it chanced that the direction of my scientific studies, which led wholly towards the mystic and the transcendental, reacted and shed a strong light on this consciousness of the perennial war among my members. With every day, and from both sides of my intelligence, the moral and the intellectual, I thus drew steadily nearer to that truth, by whose partial discovery I have been doomed to such a dreadful shipwreck: that man is not truly one, but truly two. I say two, because the state of my own knowledge does not pass beyond that point. Others will follow, others will outstrip me on the same lines; and I hazard the guess that man will be ultimately known for a mere polity of multifarious, incongruous and independent denizens.
The word "imperious," in this context, most nearly means __________.
Presumptuous. In describing his desire to appear elite, the use of the word "imperious" is designed to show that the main character felt that he ought to be of a higher station than everyone else, without much real fact to base that off of.
Though it may have been an overwhelming or important desier, the use of the word "imperious" is not designated to denote either. In addition, it certainly was not "forgettable" or the main character would not have taken time to point out this detail. Also, the desire did not really control the main character, as he considers his inability to look noble one of his major faults.
Presumptuous. In describing his desire to appear elite, the use of the word "imperious" is designed to show that the main character felt that he ought to be of a higher station than everyone else, without much real fact to base that off of.
Though it may have been an overwhelming or important desier, the use of the word "imperious" is not designated to denote either. In addition, it certainly was not "forgettable" or the main character would not have taken time to point out this detail. Also, the desire did not really control the main character, as he considers his inability to look noble one of his major faults.
Compare your answer with the correct one above
Adapted from The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson (1886)
I was born in the year 18— to a large fortune, endowed besides with excellent parts, inclined by nature to industry, fond of the respect of the wise and good among my fellow-men, and thus, as might have been supposed, with every guarantee of an honourable and distinguished future. And indeed the worst of my faults was a certain impatient gaiety of disposition, such as had made the happiness of many, but such as I found it hard to reconcile with my imperious desire to carry my head high, and wear a more than commonly grave countenance before the public.
Hence it came about that I concealed my pleasures; and that when I reached years of reflection, and began to look round me and take stock of my progress and position in the world, I stood already committed to a profound duplicity of life. Many a man would have even blazoned such irregularities as I was guilty of; but from the high views that I had set before me, I regarded and hid them with an almost morbid sense of shame. It was thus rather the exacting nature of my aspirations than any particular degradation in my faults, that made me what I was and, with even a deeper trench than in the majority of men, severed in me those provinces of good and ill which divide and compound man's dual nature.
. . .
And it chanced that the direction of my scientific studies, which led wholly towards the mystic and the transcendental, reacted and shed a strong light on this consciousness of the perennial war among my members. With every day, and from both sides of my intelligence, the moral and the intellectual, I thus drew steadily nearer to that truth, by whose partial discovery I have been doomed to such a dreadful shipwreck: that man is not truly one, but truly two. I say two, because the state of my own knowledge does not pass beyond that point. Others will follow, others will outstrip me on the same lines; and I hazard the guess that man will be ultimately known for a mere polity of multifarious, incongruous and independent denizens.
In this context, the word "countenance" most nearly means __________.
Adapted from The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson (1886)
I was born in the year 18— to a large fortune, endowed besides with excellent parts, inclined by nature to industry, fond of the respect of the wise and good among my fellow-men, and thus, as might have been supposed, with every guarantee of an honourable and distinguished future. And indeed the worst of my faults was a certain impatient gaiety of disposition, such as had made the happiness of many, but such as I found it hard to reconcile with my imperious desire to carry my head high, and wear a more than commonly grave countenance before the public.
Hence it came about that I concealed my pleasures; and that when I reached years of reflection, and began to look round me and take stock of my progress and position in the world, I stood already committed to a profound duplicity of life. Many a man would have even blazoned such irregularities as I was guilty of; but from the high views that I had set before me, I regarded and hid them with an almost morbid sense of shame. It was thus rather the exacting nature of my aspirations than any particular degradation in my faults, that made me what I was and, with even a deeper trench than in the majority of men, severed in me those provinces of good and ill which divide and compound man's dual nature.
. . .
And it chanced that the direction of my scientific studies, which led wholly towards the mystic and the transcendental, reacted and shed a strong light on this consciousness of the perennial war among my members. With every day, and from both sides of my intelligence, the moral and the intellectual, I thus drew steadily nearer to that truth, by whose partial discovery I have been doomed to such a dreadful shipwreck: that man is not truly one, but truly two. I say two, because the state of my own knowledge does not pass beyond that point. Others will follow, others will outstrip me on the same lines; and I hazard the guess that man will be ultimately known for a mere polity of multifarious, incongruous and independent denizens.
In this context, the word "countenance" most nearly means __________.
Outward demeanor. By wearing a "grave countenance" the main character was attempting to look dignified and overcome his vivacious personality.
Countenance, though it has to do with appearance, has nothing to do with garments.
Outward demeanor. By wearing a "grave countenance" the main character was attempting to look dignified and overcome his vivacious personality.
Countenance, though it has to do with appearance, has nothing to do with garments.
Compare your answer with the correct one above