Contexts of British Poetry to 1660 - AP English Literature and Composition
Card 1 of 52
If all the world and love were young,
And truth in every Shepherd’s tongue,
These pretty pleasures might me move,
To live with thee, and be thy love.
Time drives the flocks from field to fold,
When Rivers rage and Rocks grow cold,
And Philomel becometh dumb,
The rest complains of cares to come.
The flowers do fade, and wanton fields,
To wayward winter reckoning yields,
A honey tongue, a heart of gall,
Is fancy’s spring, but sorrow’s fall.
Thy gowns, thy shoes, thy beds of Roses,
Thy cap, thy kirtle, and thy posies
Soon break, soon wither, soon forgotten:
In folly ripe, in reason rotten.
Thy belt of straw and Ivy buds,
The Coral clasps and amber studs,
All these in me no means can move
To come to thee and be thy love.
But could youth last, and love still breed,
Had joys no date, nor age no need,
Then these delights my mind might move
To live with thee, and be thy love.
The author of this poem was a contemporary of which of the following poets?
If all the world and love were young,
And truth in every Shepherd’s tongue,
These pretty pleasures might me move,
To live with thee, and be thy love.
Time drives the flocks from field to fold,
When Rivers rage and Rocks grow cold,
And Philomel becometh dumb,
The rest complains of cares to come.
The flowers do fade, and wanton fields,
To wayward winter reckoning yields,
A honey tongue, a heart of gall,
Is fancy’s spring, but sorrow’s fall.
Thy gowns, thy shoes, thy beds of Roses,
Thy cap, thy kirtle, and thy posies
Soon break, soon wither, soon forgotten:
In folly ripe, in reason rotten.
Thy belt of straw and Ivy buds,
The Coral clasps and amber studs,
All these in me no means can move
To come to thee and be thy love.
But could youth last, and love still breed,
Had joys no date, nor age no need,
Then these delights my mind might move
To live with thee, and be thy love.
The author of this poem was a contemporary of which of the following poets?
Tap to reveal answer
The author of this poem, Sir Walter Raleigh, was active during the Elizabethan Era and was a contemporary of William Shakespeare. He was imprisoned in the Tower of London by both Queen Elizabeth and King James I. He was eventually beheaded.
Passage adapted from "The Nymph's Reply to the Shepherd" by Sir Walter Raleigh (1596)
The author of this poem, Sir Walter Raleigh, was active during the Elizabethan Era and was a contemporary of William Shakespeare. He was imprisoned in the Tower of London by both Queen Elizabeth and King James I. He was eventually beheaded.
Passage adapted from "The Nymph's Reply to the Shepherd" by Sir Walter Raleigh (1596)
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A gentle Knight was pricking on the plaine,
Ycladd in mightie armes and silver shielde,
Wherein old dints of deepe wounds did remaine,
The cruel markes of many'a bloudy fielde;
Yet armes till that time did he never wield:
His angry steede did chide his foming bitt,
As much disdayning to the curbe to yield:
Full jolly knight he seemd, and faire did sitt,
As one for knightly giusts and fierce encounters fitt.
Who is the author of this poem?
A gentle Knight was pricking on the plaine,
Ycladd in mightie armes and silver shielde,
Wherein old dints of deepe wounds did remaine,
The cruel markes of many'a bloudy fielde;
Yet armes till that time did he never wield:
His angry steede did chide his foming bitt,
As much disdayning to the curbe to yield:
Full jolly knight he seemd, and faire did sitt,
As one for knightly giusts and fierce encounters fitt.
Who is the author of this poem?
Tap to reveal answer
This is English poet Edward Spenser’s unfinished epic The Faerie Queene (1590). It retells the Arthurian legend of the Redcrosse Knight and examines Christian virtues through allegory and conceit. The poem is distinguishable by its nine-line Spenserian stanzas, which follow an ABABBCBCC rhyme scheme, and by its incredible length – more than 2,000 stanzas.
Passage adapted from Book I of Edmund Spenser’s The Faerie Queene (1590)
This is English poet Edward Spenser’s unfinished epic The Faerie Queene (1590). It retells the Arthurian legend of the Redcrosse Knight and examines Christian virtues through allegory and conceit. The poem is distinguishable by its nine-line Spenserian stanzas, which follow an ABABBCBCC rhyme scheme, and by its incredible length – more than 2,000 stanzas.
Passage adapted from Book I of Edmund Spenser’s The Faerie Queene (1590)
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A gentle Knight was pricking on the plaine,
Ycladd in mightie armes and silver shielde,
Wherein old dints of deepe wounds did remaine,
The cruel markes of many'a bloudy fielde;
Yet armes till that time did he never wield:
His angry steede did chide his foming bitt,
As much disdayning to the curbe to yield:
Full jolly knight he seemd, and faire did sitt,
As one for knightly giusts and fierce encounters fitt.
When was this poem published?
A gentle Knight was pricking on the plaine,
Ycladd in mightie armes and silver shielde,
Wherein old dints of deepe wounds did remaine,
The cruel markes of many'a bloudy fielde;
Yet armes till that time did he never wield:
His angry steede did chide his foming bitt,
As much disdayning to the curbe to yield:
Full jolly knight he seemd, and faire did sitt,
As one for knightly giusts and fierce encounters fitt.
When was this poem published?
Tap to reveal answer
This poem was published in two installments in 1590 and in 1596. Even if you didn’t know this, Edmund Spenser only lived from the early 1550s to 1599, so there is only one tenable answer choice.
Passage adapted from Book I of Edmund Spenser’s The Faerie Queene (1590)
This poem was published in two installments in 1590 and in 1596. Even if you didn’t know this, Edmund Spenser only lived from the early 1550s to 1599, so there is only one tenable answer choice.
Passage adapted from Book I of Edmund Spenser’s The Faerie Queene (1590)
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A gentle Knight was pricking on the plaine,
Ycladd in mightie armes and silver shielde,
Wherein old dints of deepe wounds did remaine,
The cruel markes of many'a bloudy fielde;
Yet armes till that time did he never wield:
His angry steede did chide his foming bitt,
As much disdayning to the curbe to yield:
Full jolly knight he seemd, and faire did sitt,
As one for knightly giusts and fierce encounters fitt.
Which of the following was the closest contemporary of this author?
A gentle Knight was pricking on the plaine,
Ycladd in mightie armes and silver shielde,
Wherein old dints of deepe wounds did remaine,
The cruel markes of many'a bloudy fielde;
Yet armes till that time did he never wield:
His angry steede did chide his foming bitt,
As much disdayning to the curbe to yield:
Full jolly knight he seemd, and faire did sitt,
As one for knightly giusts and fierce encounters fitt.
Which of the following was the closest contemporary of this author?
Tap to reveal answer
Christopher Marlowe (c. 1564-1593) is a closer contemporary to Spenser (c. 1552-1599) than Jonson (1572-1637), Pepys (1633-1703), Dryden (1631-1700), or John Wilmot (1647-1680).
Passage adapted from Book I of Edmund Spenser’s The Faerie Queene (1590)
Christopher Marlowe (c. 1564-1593) is a closer contemporary to Spenser (c. 1552-1599) than Jonson (1572-1637), Pepys (1633-1703), Dryden (1631-1700), or John Wilmot (1647-1680).
Passage adapted from Book I of Edmund Spenser’s The Faerie Queene (1590)
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A gentle Knight was pricking on the plaine,
Ycladd in mightie armes and silver shielde,
Wherein old dints of deepe wounds did remaine,
The cruel markes of many'a bloudy fielde;
Yet armes till that time did he never wield:
His angry steede did chide his foming bitt,
As much disdayning to the curbe to yield:
Full jolly knight he seemd, and faire did sitt,
As one for knightly giusts and fierce encounters fitt.
This poem praises which of the following monarchs?
A gentle Knight was pricking on the plaine,
Ycladd in mightie armes and silver shielde,
Wherein old dints of deepe wounds did remaine,
The cruel markes of many'a bloudy fielde;
Yet armes till that time did he never wield:
His angry steede did chide his foming bitt,
As much disdayning to the curbe to yield:
Full jolly knight he seemd, and faire did sitt,
As one for knightly giusts and fierce encounters fitt.
This poem praises which of the following monarchs?
Tap to reveal answer
The Faerie Queene praises the Tudors in general and Queen Elizabeth specifically (although by the end of its composition, Spenser was notably disillusioned with the monarchy), doing so through the form of a Christian allegory. Spenser received a substantial annual stipend from the queen as a result of this poem.
Passage adapted from Book I of Edmund Spenser’s The Faerie Queene (1590)
The Faerie Queene praises the Tudors in general and Queen Elizabeth specifically (although by the end of its composition, Spenser was notably disillusioned with the monarchy), doing so through the form of a Christian allegory. Spenser received a substantial annual stipend from the queen as a result of this poem.
Passage adapted from Book I of Edmund Spenser’s The Faerie Queene (1590)
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Whan that Aprille with his shoures soote
The droghte of Marche hath perced to the roote,
And bathed every veyne in swich licour,
Of which vertu engendred is the flour;
Whan Zephirus eek with his swete breeth
Inspired hath in every holt and heeth
The tendre croppes, and the yonge sonne
Hath in the Ram his halfe cours y-ronne,
And smale fowles maken melodye,
That slepen al the night with open ye,
(So priketh hem nature in hir corages:
Than longen folk to goon on pilgrimages...
Who is the author of this work?
Whan that Aprille with his shoures soote
The droghte of Marche hath perced to the roote,
And bathed every veyne in swich licour,
Of which vertu engendred is the flour;
Whan Zephirus eek with his swete breeth
Inspired hath in every holt and heeth
The tendre croppes, and the yonge sonne
Hath in the Ram his halfe cours y-ronne,
And smale fowles maken melodye,
That slepen al the night with open ye,
(So priketh hem nature in hir corages:
Than longen folk to goon on pilgrimages...
Who is the author of this work?
Tap to reveal answer
These are the famous opening lines of Geoffrey Chaucer’s The Canterbury Tales (1475). The Middle English work takes the form of more than 20 narratives (most written in verse) told by the main characters as they complete a pilgrimage to the Canterbury Cathedral. Some of these main characters include the Wife of Bath, the Miller, the Knight, the Pardoner, and the Reeve.
Passage adapted from Geoffrey Chaucer’s The Canterbury Tales (1475)
These are the famous opening lines of Geoffrey Chaucer’s The Canterbury Tales (1475). The Middle English work takes the form of more than 20 narratives (most written in verse) told by the main characters as they complete a pilgrimage to the Canterbury Cathedral. Some of these main characters include the Wife of Bath, the Miller, the Knight, the Pardoner, and the Reeve.
Passage adapted from Geoffrey Chaucer’s The Canterbury Tales (1475)
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Whan that Aprille with his shoures soote
The droghte of Marche hath perced to the roote,
And bathed every veyne in swich licour,
Of which vertu engendred is the flour;
Whan Zephirus eek with his swete breeth
Inspired hath in every holt and heeth
The tendre croppes, and the yonge sonne
Hath in the Ram his halfe cours y-ronne,
And smale fowles maken melodye,
That slepen al the night with open ye,
(So priketh hem nature in hir corages:
Than longen folk to goon on pilgrimages…
When was this poem written?
Whan that Aprille with his shoures soote
The droghte of Marche hath perced to the roote,
And bathed every veyne in swich licour,
Of which vertu engendred is the flour;
Whan Zephirus eek with his swete breeth
Inspired hath in every holt and heeth
The tendre croppes, and the yonge sonne
Hath in the Ram his halfe cours y-ronne,
And smale fowles maken melodye,
That slepen al the night with open ye,
(So priketh hem nature in hir corages:
Than longen folk to goon on pilgrimages…
When was this poem written?
Tap to reveal answer
Chaucer lived from approximately 1340 to 1400, and The Canterbury Tales (1475)is thought to have been written in the late 1300s.
Passage adapted from Geoffrey Chaucer's The Canterbury Tales (1475)
Chaucer lived from approximately 1340 to 1400, and The Canterbury Tales (1475)is thought to have been written in the late 1300s.
Passage adapted from Geoffrey Chaucer's The Canterbury Tales (1475)
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Whan that Aprille with his shoures soote
The droghte of Marche hath perced to the roote,
And bathed every veyne in swich licour,
Of which vertu engendred is the flour;
Whan Zephirus eek with his swete breeth
Inspired hath in every holt and heeth
The tendre croppes, and the yonge sonne
Hath in the Ram his halfe cours y-ronne,
And smale fowles maken melodye,
That slepen al the night with open ye,
(So priketh hem nature in hir corages:
Than longen folk to goon on pilgrimages…
What important event was occurring at the time of this work’s publication?
Whan that Aprille with his shoures soote
The droghte of Marche hath perced to the roote,
And bathed every veyne in swich licour,
Of which vertu engendred is the flour;
Whan Zephirus eek with his swete breeth
Inspired hath in every holt and heeth
The tendre croppes, and the yonge sonne
Hath in the Ram his halfe cours y-ronne,
And smale fowles maken melodye,
That slepen al the night with open ye,
(So priketh hem nature in hir corages:
Than longen folk to goon on pilgrimages…
What important event was occurring at the time of this work’s publication?
Tap to reveal answer
The poem was written during the Hundred Years’ War (1337-1453) between the kingdoms of England (specifically, the House of Plantagenet) and France (specifically, the House of Valois). The Black Death peaked earlier in the century (1340s and 1350s), Henry I was crowned at the very beginning of the century (1300), and the Italian Renaissance and the invention of the printing press began later (1500s and 1440, respectively).
Passage adapted from Geoffrey Chaucer's The Canterbury Tales (1475)
The poem was written during the Hundred Years’ War (1337-1453) between the kingdoms of England (specifically, the House of Plantagenet) and France (specifically, the House of Valois). The Black Death peaked earlier in the century (1340s and 1350s), Henry I was crowned at the very beginning of the century (1300), and the Italian Renaissance and the invention of the printing press began later (1500s and 1440, respectively).
Passage adapted from Geoffrey Chaucer's The Canterbury Tales (1475)
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Whan that Aprille with his shoures soote
The droghte of Marche hath perced to the roote,
And bathed every veyne in swich licour,
Of which vertu engendred is the flour;
Whan Zephirus eek with his swete breeth
Inspired hath in every holt and heeth
The tendre croppes, and the yonge sonne
Hath in the Ram his halfe cours y-ronne,
And smale fowles maken melodye,
That slepen al the night with open ye,
(So priketh hem nature in hir corages:
Than longen folk to goon on pilgrimages…
Which of the following is not a feature of the language of this poem?
Whan that Aprille with his shoures soote
The droghte of Marche hath perced to the roote,
And bathed every veyne in swich licour,
Of which vertu engendred is the flour;
Whan Zephirus eek with his swete breeth
Inspired hath in every holt and heeth
The tendre croppes, and the yonge sonne
Hath in the Ram his halfe cours y-ronne,
And smale fowles maken melodye,
That slepen al the night with open ye,
(So priketh hem nature in hir corages:
Than longen folk to goon on pilgrimages…
Which of the following is not a feature of the language of this poem?
Tap to reveal answer
This poem is written in Middle English, which featured major changes in pronunciation, new vocabulary resulting from increased interaction with the French, the adoption of a fixed word order, and a marked decrease in inflectional endings. Middle English does not feature gendered grammar, however.
Passage adapted from Geoffrey Chaucer's The Canterbury Tales (1475)
This poem is written in Middle English, which featured major changes in pronunciation, new vocabulary resulting from increased interaction with the French, the adoption of a fixed word order, and a marked decrease in inflectional endings. Middle English does not feature gendered grammar, however.
Passage adapted from Geoffrey Chaucer's The Canterbury Tales (1475)
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In a somer seson,
Whan softe was the sonne,
I shoop me into shroudes
As I a sheep weere,
In habite as an heremite
Unholy of werkes,
Wente wide in this world
Wondres to here;
Ac on a May morwenynge
On Malverne hilles
Me bifel a ferly,
Of fairye me thoghte.
Who is the author of this poem?
In a somer seson,
Whan softe was the sonne,
I shoop me into shroudes
As I a sheep weere,
In habite as an heremite
Unholy of werkes,
Wente wide in this world
Wondres to here;
Ac on a May morwenynge
On Malverne hilles
Me bifel a ferly,
Of fairye me thoghte.
Who is the author of this poem?
Tap to reveal answer
These are the first lines of William Langland’s Middle English classic Piers Plowman.
Passage adapted from William Langland's Piers Plowman (1370-90?)
These are the first lines of William Langland’s Middle English classic Piers Plowman.
Passage adapted from William Langland's Piers Plowman (1370-90?)
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In a somer seson,
Whan softe was the sonne,
I shoop me into shroudes
As I a sheep weere,
In habite as an heremite
Unholy of werkes,
Wente wide in this world
Wondres to here;
Ac on a May morwenynge
On Malverne hilles
Me bifel a ferly,
Of fairye me thoghte.
Which of the following is not a feature of this poem?
In a somer seson,
Whan softe was the sonne,
I shoop me into shroudes
As I a sheep weere,
In habite as an heremite
Unholy of werkes,
Wente wide in this world
Wondres to here;
Ac on a May morwenynge
On Malverne hilles
Me bifel a ferly,
Of fairye me thoghte.
Which of the following is not a feature of this poem?
Tap to reveal answer
Piers Plowman is written in unrhymed alliterative verse, and the whole work functions as an elaborate allegory about medieval Christianity and virtuous living. Much like other poems are separated into stanzas, the verse of Piers Plowman is separated into sections called "passus."
Passage adapted from William Langland's Piers Plowman (1370-90?)
Piers Plowman is written in unrhymed alliterative verse, and the whole work functions as an elaborate allegory about medieval Christianity and virtuous living. Much like other poems are separated into stanzas, the verse of Piers Plowman is separated into sections called "passus."
Passage adapted from William Langland's Piers Plowman (1370-90?)
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In a somer seson,
Whan softe was the sonne,
I shoop me into shroudes
As I a sheep weere,
In habite as an heremite
Unholy of werkes,
Wente wide in this world
Wondres to here;
Ac on a May morwenynge
On Malverne hilles
Me bifel a ferly,
Of fairye me thoghte.
When was this poem written?
In a somer seson,
Whan softe was the sonne,
I shoop me into shroudes
As I a sheep weere,
In habite as an heremite
Unholy of werkes,
Wente wide in this world
Wondres to here;
Ac on a May morwenynge
On Malverne hilles
Me bifel a ferly,
Of fairye me thoghte.
When was this poem written?
Tap to reveal answer
This poem is believed to have been written between 1370 and 1390, and William Langland is believed to have lived from around the early 1330s to the late 1380s. Obviously, the 1300s were a very long time ago, and it is hard to say exactly when works were published and circulated.
Passage adapted from William Langland's Piers Plowman (1370-90?)
This poem is believed to have been written between 1370 and 1390, and William Langland is believed to have lived from around the early 1330s to the late 1380s. Obviously, the 1300s were a very long time ago, and it is hard to say exactly when works were published and circulated.
Passage adapted from William Langland's Piers Plowman (1370-90?)
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In a somer seson,
Whan softe was the sonne,
I shoop me into shroudes
As I a sheep weere,
In habite as an heremite
Unholy of werkes,
Wente wide in this world
Wondres to here;
Ac on a May morwenynge
On Malverne hilles
Me bifel a ferly,
Of fairye me thoghte.
Which of the following is not a character in this poem?
In a somer seson,
Whan softe was the sonne,
I shoop me into shroudes
As I a sheep weere,
In habite as an heremite
Unholy of werkes,
Wente wide in this world
Wondres to here;
Ac on a May morwenynge
On Malverne hilles
Me bifel a ferly,
Of fairye me thoghte.
Which of the following is not a character in this poem?
Tap to reveal answer
Gawain is a character in another famous Middle English work: Sir Gawain and the Green Knight. All the rest are figures in Langland’s Piers Plowman.
Passage adapted from William Langland's Piers Plowman (1370-90?)
Gawain is a character in another famous Middle English work: Sir Gawain and the Green Knight. All the rest are figures in Langland’s Piers Plowman.
Passage adapted from William Langland's Piers Plowman (1370-90?)
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If all the world and love were young,
And truth in every Shepherd’s tongue,
These pretty pleasures might me move,
To live with thee, and be thy love.
Time drives the flocks from field to fold,
When Rivers rage and Rocks grow cold,
And Philomel becometh dumb,
The rest complains of cares to come.
The flowers do fade, and wanton fields,
To wayward winter reckoning yields,
A honey tongue, a heart of gall,
Is fancy’s spring, but sorrow’s fall.
Thy gowns, thy shoes, thy beds of Roses,
Thy cap, thy kirtle, and thy posies
Soon break, soon wither, soon forgotten:
In folly ripe, in reason rotten.
Thy belt of straw and Ivy buds,
The Coral clasps and amber studs,
All these in me no means can move
To come to thee and be thy love.
But could youth last, and love still breed,
Had joys no date, nor age no need,
Then these delights my mind might move
To live with thee, and be thy love.
The author of this poem was a contemporary of which of the following poets?
If all the world and love were young,
And truth in every Shepherd’s tongue,
These pretty pleasures might me move,
To live with thee, and be thy love.
Time drives the flocks from field to fold,
When Rivers rage and Rocks grow cold,
And Philomel becometh dumb,
The rest complains of cares to come.
The flowers do fade, and wanton fields,
To wayward winter reckoning yields,
A honey tongue, a heart of gall,
Is fancy’s spring, but sorrow’s fall.
Thy gowns, thy shoes, thy beds of Roses,
Thy cap, thy kirtle, and thy posies
Soon break, soon wither, soon forgotten:
In folly ripe, in reason rotten.
Thy belt of straw and Ivy buds,
The Coral clasps and amber studs,
All these in me no means can move
To come to thee and be thy love.
But could youth last, and love still breed,
Had joys no date, nor age no need,
Then these delights my mind might move
To live with thee, and be thy love.
The author of this poem was a contemporary of which of the following poets?
Tap to reveal answer
The author of this poem, Sir Walter Raleigh, was active during the Elizabethan Era and was a contemporary of William Shakespeare. He was imprisoned in the Tower of London by both Queen Elizabeth and King James I. He was eventually beheaded.
Passage adapted from "The Nymph's Reply to the Shepherd" by Sir Walter Raleigh (1596)
The author of this poem, Sir Walter Raleigh, was active during the Elizabethan Era and was a contemporary of William Shakespeare. He was imprisoned in the Tower of London by both Queen Elizabeth and King James I. He was eventually beheaded.
Passage adapted from "The Nymph's Reply to the Shepherd" by Sir Walter Raleigh (1596)
← Didn't Know|Knew It →
A gentle Knight was pricking on the plaine,
Ycladd in mightie armes and silver shielde,
Wherein old dints of deepe wounds did remaine,
The cruel markes of many'a bloudy fielde;
Yet armes till that time did he never wield:
His angry steede did chide his foming bitt,
As much disdayning to the curbe to yield:
Full jolly knight he seemd, and faire did sitt,
As one for knightly giusts and fierce encounters fitt.
Who is the author of this poem?
A gentle Knight was pricking on the plaine,
Ycladd in mightie armes and silver shielde,
Wherein old dints of deepe wounds did remaine,
The cruel markes of many'a bloudy fielde;
Yet armes till that time did he never wield:
His angry steede did chide his foming bitt,
As much disdayning to the curbe to yield:
Full jolly knight he seemd, and faire did sitt,
As one for knightly giusts and fierce encounters fitt.
Who is the author of this poem?
Tap to reveal answer
This is English poet Edward Spenser’s unfinished epic The Faerie Queene (1590). It retells the Arthurian legend of the Redcrosse Knight and examines Christian virtues through allegory and conceit. The poem is distinguishable by its nine-line Spenserian stanzas, which follow an ABABBCBCC rhyme scheme, and by its incredible length – more than 2,000 stanzas.
Passage adapted from Book I of Edmund Spenser’s The Faerie Queene (1590)
This is English poet Edward Spenser’s unfinished epic The Faerie Queene (1590). It retells the Arthurian legend of the Redcrosse Knight and examines Christian virtues through allegory and conceit. The poem is distinguishable by its nine-line Spenserian stanzas, which follow an ABABBCBCC rhyme scheme, and by its incredible length – more than 2,000 stanzas.
Passage adapted from Book I of Edmund Spenser’s The Faerie Queene (1590)
← Didn't Know|Knew It →
A gentle Knight was pricking on the plaine,
Ycladd in mightie armes and silver shielde,
Wherein old dints of deepe wounds did remaine,
The cruel markes of many'a bloudy fielde;
Yet armes till that time did he never wield:
His angry steede did chide his foming bitt,
As much disdayning to the curbe to yield:
Full jolly knight he seemd, and faire did sitt,
As one for knightly giusts and fierce encounters fitt.
When was this poem published?
A gentle Knight was pricking on the plaine,
Ycladd in mightie armes and silver shielde,
Wherein old dints of deepe wounds did remaine,
The cruel markes of many'a bloudy fielde;
Yet armes till that time did he never wield:
His angry steede did chide his foming bitt,
As much disdayning to the curbe to yield:
Full jolly knight he seemd, and faire did sitt,
As one for knightly giusts and fierce encounters fitt.
When was this poem published?
Tap to reveal answer
This poem was published in two installments in 1590 and in 1596. Even if you didn’t know this, Edmund Spenser only lived from the early 1550s to 1599, so there is only one tenable answer choice.
Passage adapted from Book I of Edmund Spenser’s The Faerie Queene (1590)
This poem was published in two installments in 1590 and in 1596. Even if you didn’t know this, Edmund Spenser only lived from the early 1550s to 1599, so there is only one tenable answer choice.
Passage adapted from Book I of Edmund Spenser’s The Faerie Queene (1590)
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A gentle Knight was pricking on the plaine,
Ycladd in mightie armes and silver shielde,
Wherein old dints of deepe wounds did remaine,
The cruel markes of many'a bloudy fielde;
Yet armes till that time did he never wield:
His angry steede did chide his foming bitt,
As much disdayning to the curbe to yield:
Full jolly knight he seemd, and faire did sitt,
As one for knightly giusts and fierce encounters fitt.
Which of the following was the closest contemporary of this author?
A gentle Knight was pricking on the plaine,
Ycladd in mightie armes and silver shielde,
Wherein old dints of deepe wounds did remaine,
The cruel markes of many'a bloudy fielde;
Yet armes till that time did he never wield:
His angry steede did chide his foming bitt,
As much disdayning to the curbe to yield:
Full jolly knight he seemd, and faire did sitt,
As one for knightly giusts and fierce encounters fitt.
Which of the following was the closest contemporary of this author?
Tap to reveal answer
Christopher Marlowe (c. 1564-1593) is a closer contemporary to Spenser (c. 1552-1599) than Jonson (1572-1637), Pepys (1633-1703), Dryden (1631-1700), or John Wilmot (1647-1680).
Passage adapted from Book I of Edmund Spenser’s The Faerie Queene (1590)
Christopher Marlowe (c. 1564-1593) is a closer contemporary to Spenser (c. 1552-1599) than Jonson (1572-1637), Pepys (1633-1703), Dryden (1631-1700), or John Wilmot (1647-1680).
Passage adapted from Book I of Edmund Spenser’s The Faerie Queene (1590)
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A gentle Knight was pricking on the plaine,
Ycladd in mightie armes and silver shielde,
Wherein old dints of deepe wounds did remaine,
The cruel markes of many'a bloudy fielde;
Yet armes till that time did he never wield:
His angry steede did chide his foming bitt,
As much disdayning to the curbe to yield:
Full jolly knight he seemd, and faire did sitt,
As one for knightly giusts and fierce encounters fitt.
This poem praises which of the following monarchs?
A gentle Knight was pricking on the plaine,
Ycladd in mightie armes and silver shielde,
Wherein old dints of deepe wounds did remaine,
The cruel markes of many'a bloudy fielde;
Yet armes till that time did he never wield:
His angry steede did chide his foming bitt,
As much disdayning to the curbe to yield:
Full jolly knight he seemd, and faire did sitt,
As one for knightly giusts and fierce encounters fitt.
This poem praises which of the following monarchs?
Tap to reveal answer
The Faerie Queene praises the Tudors in general and Queen Elizabeth specifically (although by the end of its composition, Spenser was notably disillusioned with the monarchy), doing so through the form of a Christian allegory. Spenser received a substantial annual stipend from the queen as a result of this poem.
Passage adapted from Book I of Edmund Spenser’s The Faerie Queene (1590)
The Faerie Queene praises the Tudors in general and Queen Elizabeth specifically (although by the end of its composition, Spenser was notably disillusioned with the monarchy), doing so through the form of a Christian allegory. Spenser received a substantial annual stipend from the queen as a result of this poem.
Passage adapted from Book I of Edmund Spenser’s The Faerie Queene (1590)
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Whan that Aprille with his shoures soote
The droghte of Marche hath perced to the roote,
And bathed every veyne in swich licour,
Of which vertu engendred is the flour;
Whan Zephirus eek with his swete breeth
Inspired hath in every holt and heeth
The tendre croppes, and the yonge sonne
Hath in the Ram his halfe cours y-ronne,
And smale fowles maken melodye,
That slepen al the night with open ye,
(So priketh hem nature in hir corages:
Than longen folk to goon on pilgrimages...
Who is the author of this work?
Whan that Aprille with his shoures soote
The droghte of Marche hath perced to the roote,
And bathed every veyne in swich licour,
Of which vertu engendred is the flour;
Whan Zephirus eek with his swete breeth
Inspired hath in every holt and heeth
The tendre croppes, and the yonge sonne
Hath in the Ram his halfe cours y-ronne,
And smale fowles maken melodye,
That slepen al the night with open ye,
(So priketh hem nature in hir corages:
Than longen folk to goon on pilgrimages...
Who is the author of this work?
Tap to reveal answer
These are the famous opening lines of Geoffrey Chaucer’s The Canterbury Tales (1475). The Middle English work takes the form of more than 20 narratives (most written in verse) told by the main characters as they complete a pilgrimage to the Canterbury Cathedral. Some of these main characters include the Wife of Bath, the Miller, the Knight, the Pardoner, and the Reeve.
Passage adapted from Geoffrey Chaucer’s The Canterbury Tales (1475)
These are the famous opening lines of Geoffrey Chaucer’s The Canterbury Tales (1475). The Middle English work takes the form of more than 20 narratives (most written in verse) told by the main characters as they complete a pilgrimage to the Canterbury Cathedral. Some of these main characters include the Wife of Bath, the Miller, the Knight, the Pardoner, and the Reeve.
Passage adapted from Geoffrey Chaucer’s The Canterbury Tales (1475)
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Whan that Aprille with his shoures soote
The droghte of Marche hath perced to the roote,
And bathed every veyne in swich licour,
Of which vertu engendred is the flour;
Whan Zephirus eek with his swete breeth
Inspired hath in every holt and heeth
The tendre croppes, and the yonge sonne
Hath in the Ram his halfe cours y-ronne,
And smale fowles maken melodye,
That slepen al the night with open ye,
(So priketh hem nature in hir corages:
Than longen folk to goon on pilgrimages…
When was this poem written?
Whan that Aprille with his shoures soote
The droghte of Marche hath perced to the roote,
And bathed every veyne in swich licour,
Of which vertu engendred is the flour;
Whan Zephirus eek with his swete breeth
Inspired hath in every holt and heeth
The tendre croppes, and the yonge sonne
Hath in the Ram his halfe cours y-ronne,
And smale fowles maken melodye,
That slepen al the night with open ye,
(So priketh hem nature in hir corages:
Than longen folk to goon on pilgrimages…
When was this poem written?
Tap to reveal answer
Chaucer lived from approximately 1340 to 1400, and The Canterbury Tales (1475)is thought to have been written in the late 1300s.
Passage adapted from Geoffrey Chaucer's The Canterbury Tales (1475)
Chaucer lived from approximately 1340 to 1400, and The Canterbury Tales (1475)is thought to have been written in the late 1300s.
Passage adapted from Geoffrey Chaucer's The Canterbury Tales (1475)
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