Identification of World Plays - AP English Literature and Composition

The playwright in question is Wole Solinka. His work often concerns colonialism and contemporary African politics, government, and corruption. His plays have been said to be influenced by traditional Yoruba drama and theatre of the absurd.

This is the St. Lucian poet Derek Walcott, winner of the 1992 Nobel Prize in Literature. Walcott often incorporates themes of post-colonialism and national identity as well as mythical and European elements into his writing.

This is Aimé Césaire, a French-educated native of Martinique and an incipient member of the négritude ideology. His work is often preoccupied with power, colonial rule, and racial identity.

This is Sebastián Salazar Bondy, whose other notable works include Something That Wants to Die, There’s No Gasoline in Heaven, and Flora Tristán.

This is Jean Genet, whose work often features social misfits or people on the outskirts of a community. His work, which is heavily steeped in absurdism, investigates morality as well as the constructs of racial and social identities.

This is Eugène Ionesco, whose works include The Rhinoceros, The Bald Soprano, and Exit the King. Ionesco plays often emphasize the pointlessness of human existence and utilize disorienting elements such as non-sequiturs, dreamlike storytelling, and jarring verbal feats.

Brecht’s works, among which are Mother Courage and Her Children and The Caucasian Chalk Circle, often encouraged audience participation and deep critical thinking. He is often considered a founder of Epic Theatre, although he chose to qualify or reject that classification. Mother Courage and Her Children is one of many of his plays written in response to the rise of Nazism.

This is Ama Ata Aidoo, a poet, playwright, and novelist. She often incorporates elements of African legend, cultural identity, gender studies, and feminism into her work.

This is Mario Vargas Llosa, one of the most influential Latin American writers of the twentieth and twenty-first centuries. His work (which includes novels and essays as well as drama) is often political and anti-nationalistic and is deeply invested in portraying power struggles between rulers and the poor or disenfranchised.

The play described is Oedipus Rex, an iconic tragedy written around the 420s BCE by the Greek playwright Sophocles. The play, which belongs to a trilogy including Oedipus at Colonus and Antigone, gave rise to numerous other works and to the Freudian concept of an oedipal complex.

The satyr play is the genre described above. It often appeared as the final play in a four-play cycle of ancient Greek tragedy, of which Sophocles’ Oedipus cycle is a famous example.

This is Euripides’ Medea, named after the heroine of the play. In the drama, Medea murders Jason’s new wife and her children and escapes to Athens to begin a new life. A controversial work at the time, Medea, like many of Euripides’ works, is remarkable for its complex and nuanced portrayal of a victim’s struggle for autonomy in an unsympathetic society.

The comic genius Aristophanes is responsible for these plays and for nearly two dozen more, some of which are now lost. The playwright was known especially for lambasting society with his scathing wit, a skill that contributed to the condemnation and death of Socrates.

The Oresteia, composed of Agamemnon, The Libation Bearers, and The Eumenides, concerns a curse placed on the House of Atreus after the murder of Agamemnon by his wife, Clytemnestra. The works include the reunion of Agamemnon’s children Electra and Orestes, who murder their mother to avenge their father’s death, and the pursuit and torture of Orestes by the Erinyes, or Greek furies responsible for justice.

Antigone was written by Sophocles, who, along with Aeschylus and Euripides, is one of the only ancient Greek dramatists with work surviving today. The play in question contains the familiar Greek character Tiresias, the blind prophet, as well as Creon, the new king of Thebes; the slain brothers Eteocles and Polyneices; and the sisters Antigone and Ismene. In addition to its literary significance, the play achieved political importance by speaking out against despotism and anarchy and by promoting democratic society.

This play is Lysistrata, written by Aristophanes (the “Father” or “Prince” of ancient comedy). It concerns the eponymous heroine Lysistrata, who rallies the women in their efforts to bring about peace, and serves as commentary on the relationship between men and women in patriarchal ancient Greece.

Eugene Onegin, originally written by Alexander Pushkin, concerns the eponymous main character, the fictional poet Vladimir Lensky, the shy but passionate Tatyana, and her vain older sister Olga. The novel’s and subsequent plays’ themes include the relationship between art and life, the absurdity of social conventions such as duels, and the mortality and loneliness of man.

The listed works are by Henrik Ibsen, the Norwegian dramatist, director, and poet. His work is known for its strict, often bleak realism and for its role in introducing modernism to the theater. Plays such as A Doll’s House criticized social conventions that Ibsen saw as limiting and artificial, particularly marriage, motherhood, and family life.

Friedrich Schiller, one of the most important playwrights of the 1700s, was known for shepherding in the artistic movement known as Weimar Classicism. He did so with the help of Goethe, a friend and literary rival, and with his own work, which include the lyrics to Beethoven’s famous Ode to Joy.

The dramatic work in question is the Ring cycle, known in German as Der Ring des Nibelungen. The work’s structure is modeled on the ancient Greek dramas that contained three tragedies and a satyr play, with a full performance lasting more than half a day. Characters include Wotan, Fricka, Freia, Siegmund, Sieglinde, Siegfried, Gunther, and Brünnhilde.