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Which of the following is a novel by the Nigerian author Chimamanda Ngozi Adichie?
This is Adichie’s 2013 novel Americanah, which concerns the life of a young Nigerian woman who immigrates to the United States in order to pursue higher education. The novel investigates race and culture in the United States as well as class, shame, love, and colonialism in Nigeria.
V.S Naipaul's Guerillas (1975), Jhumpa Lahiri's The Lowland (2013), Paul Bowles' The Sheltering Sky (1949), and Zadie Smith's White Teeth (2000) were used as alternative answer choices.
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Which of the following is NoViolet Bulawayo’s debut novel?
This is We Need New Names, published in 2013 and shortlisted for the Booker Prize. The novel tells the coming-of-age story of a young Zimbabwean immigrant living in the Midwestern United States. Cutting for Stone (2009) is by Abraham Verghese, Arrow of God (1964)is by Chinua Achebe, Half of a Yellow Sun (2006)is by Chimamanda Ngozi Adichie, and The Beautyful Ones Are Not Yet Born (1968) is by Ayi Kwei Armah.
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This Indian-American author wrote Interpreter of Maladies, a Pulitzer Prize-winning short story collection, and The Namesake, a novel. Who is the author?
The author in question is Jhumpa Lahiri. Her writing often centers around Indian or Indian-American immigrant characters and their interfamilial relationships and strife. Interpreter of Maladies was published in 1999 and won the 2000 Pulitzer Prize. Her most recent book is The Lowland (2013)
Kiran Desai won the 2006 Booker Prize for The Inheritance of Loss. Arundhati Roy won the 1997 Booker Prize for The God of Small Things. Salman Rushdie is the author of Midnight's Children (1981). Mohsin Hamid is the author of The Reluctant Fundamentalist (2007).
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Which of the following postcolonial novels was based on a character from, and serves as a prequel to, Charlotte Brontë’s Jane Eyre?
Jean Rhys’ 1966 novel Wide Sargasso Sea, a seminal postcolonial and feminist work, explores the Caribbean childhood of Bertha, the first wife of Jane Eyre ’s Mr. Rochester.
V.S Naipaul's A House for Mr. Biswas (1961), Arundhati Roy's The God of Small Things (1997), Joseph Conrad's Heart of Darkness (1899), and J.M Coetzee's Disgrace (1999) were all used as alternative answer choices.
Charlotte Brontë’s Jane Eyre was first published in 1847.
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Which of the following is a novel by Nigerian author Chinua Achebe?
This is Achebe’s 1958 novel Things Fall Apart. The title is taken from the famous W.B. Yeats poem The Second Coming (1919). The plot of Things Fall Apart follows the life (and downfall) of Okonkwo, a local hero and wrestling champion in a small fictional Nigerian community, as his community is slowly hedgmonized by colonial missionary and commercial influence.
V.S Naipaul's A House for Mr. Biswas (1961), J.M Coetzee's Disgrace (1999), Nadine Gordimer's The Conservationist (1974), and Chimamanda Ngozi Adichie's Half of a Yellow Sun (2006) were used as alternative answer choices.
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Which novel by Indian author Arundhati Roy concerns the coming-of-age and illicit love story between twins Rahel and Esthappen in India?
The questions refers to The God of Small Things, which won the 1997 Booker Prize. The novel follows the lives of the aforementioned twins in an intergenerational family in the second half of the 20th century.
Salman Rushdie's Midnight’s Children (1981), J.G Farrell's Troubles (1970), Abraham Verghese's Cutting for Stone (2009), and Ahmed Ali's Twilight in Delhi (1940) were used as alternative answer choices.
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Which of these novels was written by Nobel Prize-winning Trinidadian author V.S. Naipul?
Published in 1961, A House for Mr. Biswas is one of Naipul’s most famous works and is set in his native Trinidad. Wide Sargasso Sea (1966)is by Jean Rhys; A Small Place (1988) is by Jamaica Kincaid; Breath, Eyes, Memory (1994) is by Edwidge Danticat; and Love in the Time of Cholera (1985)is by Gabriel Garcia Marquez.
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Which of the following is a Nobel Prize-winning South African writer?
The correct answer is Nadine Gordimer, whose novels include The Lying Days (1953),Booker Prize-winning The Conservationist (1974), and No Time Like the Present (2012).
Chinua Achebe was Nigerian, as is Wole Soyinka; NoViolet Bulawayo is Zimbawean (although she has been living in the United States for many years; she teaches at Stanford University); Ngũgĩ wa Thiong’o is Kenyan.
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Which of the following is a memoir by Chinese-American author Maxine Hong Kingston?
The correct answer is The Woman Warrior (1976), a memoir that mixes autobiographical passages with Chinese folktales in order to investigate issues of immigration, gender, culture, and ethnicity.
Anne Fadiman's The Spirit Catches You and You Fall Down (1997), Amy Tan's The Joy Luck Club (1989), Mo Yan's Red Sorghum(1986), Yu Hua's To Live(1993) were used as alternative answer choices
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Which of the following authors wrote Red Sorghum, Pow!, and Big Breasts and Wide Hips?
This is the Chinese author Mo Yan (Mo Yan is a pen name that loosely translated means "don't speak," his given name is Guan Moye), who uses magical realism and folk tales to investigate political, sexual, and cultural identities. Yan was the recipient of the 2012 Nobel Prize for Literature.
Red Sorghum was published in 1986, Pow! was published in 2003, and Big Breasts and Wide Hips was published in 1997.
Ha Jin wrote the National Book Award winning In the Pond (1999). Xiaolu Guo is an author and filmmaker whose novels include UFO in her Eyes (2009) and 20 Fragments of a Ravenous Youth (2008). Su Tong is the author of Binu and the Great Wall of China (2009). Yu Hua is a short story writer and novelist whose works include To Live (2003) and Brothers (2009).
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Which of the following Indonesian writers wrote the popular novel Negeri 5 Menara (The Land of 5 Towers)?
This is Ahmad Fuadi, who is an important Indonesian entrepreneur as well as a novelist. Negeri 5 Menara (The Land of 5 Towers) was published in 2009. Pramoedya Ananta Toer wrote the Buru quartet, Ayu Utami wrote Saman (1998), Sapardi Djoko Damono wrote mainly lyric poetry, and Leila Chudori wrote The Last Night (1989).
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Which of the following is the title of Marjane Satrapi’s graphic novel about her childhood in Iran during Islamic Revolution?
While all of these titles are graphic novels, only Persepolis was written by Satrapi. The book is an autobiographical graphic novel and portrays the Iran-Iraq War, Islam, gender roles, and cultural identities in Iran.
Daniel Clowes' Ghost World (1997), Alan Moore's From Hell (1989), Katsuhiro Otomo's Akira (1982), and Art Spiegelman's Maus (1991) were used as alternative answer choices.
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"When he was twelve years old his mother had her own way; he began lessons. The cure took him in hand; but the lessons were so short and irregular that they could not be of much use. They were given at spare moments in the sacristy, standing up, hurriedly, between a baptism and a burial; or else the cure, if he had not to go out, sent for his pupil after the Angelus. They went up to his room and settled down; the flies and moths fluttered round the candle. It was close, the child fell asleep, and the good man, beginning to doze with his hands on his stomach, was soon snoring with his mouth wide open. On other occasions, when Monsieur le Cure, on his way back after administering the viaticum to some sick person in the neighborhood, caught sight of Charles playing about the fields, he called him, lectured him for a quarter of an hour and took advantage of the occasion to make him conjugate his verb at the foot of a tree. The rain interrupted them or an acquaintance passed. All the same he was always pleased with him, and even said the "young man" had a very good memory.
A devotion said at morning, noon, and evening, at the sound
of a bell. Here, the evening prayer.
Charles could not go on like this. Madame Bovary took strong steps. Ashamed, or rather tired out, Monsieur Bovary gave in without a struggle, and they waited one year longer, so that the lad should take his first communion."
Who wrote the above passage?
This passage is taken from Gustave Flaubert’s first novel, the 1856 Madame Bovary. The final lines of the passage mention the eponymous character herself.
Passage adapted from Madame Bovary by Gustave Flaubert (1856; trans. Aveline 1886).
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“See here. My name is Jean Valjean. I am a convict from the galleys. I have passed nineteen years in the galleys. I was liberated four days ago, and am on my way to Pontarlier, which is my destination. I have been walking for four days since I left Toulon. I have travelled a dozen leagues to-day on foot. This evening, when I arrived in these parts, I went to an inn, and they turned me out, because of my yellow passport, which I had shown at the town-hall. I had to do it. I went to an inn. They said to me, 'Be off,' at both places. No one would take me. I went to the prison; the jailer would not admit me. I went into a dog's kennel; the dog bit me and chased me off, as though he had been a man. One would have said that he knew who I was. I went into the fields, intending to sleep in the open air, beneath the stars. There were no stars. I thought it was going to rain, and I re-entered the town, to seek the recess of a doorway. Yonder, in the square, I meant to sleep on a stone bench. A good woman pointed out your house to me, and said to me, 'Knock there!' I have knocked. What is this place? Do you keep an inn? I have money—savings. One hundred and nine francs fifteen sous, which I earned in the galleys by my labor, in the course of nineteen years. I will pay. What is that to me? I have money. I am very weary; twelve leagues on foot; I am very hungry. Are you willing that I should remain?”
Who wrote the above passage?
This passage was written by the French writer Victor Hugo. It appears in his 1862 novel Les Misérables, which is widely considered one of the most important novels of the nineteenth century and which documents the plight of the poor in post-revolutionary France. The novel follows the lives of several characters, the most important of which is Jean Valjean.
Quotation adapted from Les Misérables by Victor Hugo (1862; trans. Hapgood 1887).
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“The Friends of the A B C were not numerous, it was a secret society in the state of embryo, we might almost say a coterie, if coteries ended in heroes. They assembled in Paris in two localities, near the fish-market, in a wine-shop called Corinthe, of which more will be heard later on, and near the Pantheon in a little cafe in the Rue Saint-Michel called the Cafe Musain, now torn down; the first of these meeting-places was close to the workingman, the second to the students.
The assemblies of the Friends of the A B C were usually held in a back room of the Cafe Musain.
This hall, which was tolerably remote from the cafe, with which it was connected by an extremely long corridor, had two windows and an exit with a private stairway on the little Rue des Gres. There they smoked and drank, and gambled and laughed. There they conversed in very loud tones about everything, and in whispers of other things. An old map of France under the Republic was nailed to the wall,—a sign quite sufficient to excite the suspicion of a police agent.
The greater part of the Friends of the A B C were students, who were on cordial terms with the working classes. Here are the names of the principal ones. They belong, in a certain measure, to history: Enjolras, Combeferre, Jean Prouvaire, Feuilly, Courfeyrac, Bahorel, Lesgle or Laigle, Joly, Grantaire.
These young men formed a sort of family, through the bond of friendship. All, with the exception of Laigle, were from the South.”
The author of the above passage also wrote which work?
This passage is taken from Victor Hugo’s 1862 novel Les Misérables. An important subplot of the novel is the political rebellions fomented by the students of 1830s Paris, students who comprise the Friends of the ABC. While Hugo’s most famous work is Les Misérables, he is also known for his 1831 novel The Hunchback of Notre Dame.
Quotation adapted from Les Misérables by Victor Hugo (1862; trans. Hapgood 1887).
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“In a castle of Westphalia, belonging to the Baron of Thunder-ten-Tronckh, lived a youth, whom nature had endowed with the most gentle manners. His countenance was a true picture of his soul. He combined a true judgment with simplicity of spirit, which was the reason, I apprehend, of his being called Candide. The old servants of the family suspected him to have been the son of the Baron's sister, by a good, honest gentleman of the neighborhood, whom that young lady would never marry because he had been able to prove only seventy-one quarterings, the rest of his genealogical tree having been lost through the injuries of time.
The Baron was one of the most powerful lords in Westphalia, for his castle had not only a gate, but windows. His great hall, even, was hung with tapestry. All the dogs of his farm-yards formed a pack of hounds at need; his grooms were his huntsmen; and the curate of the village was his grand almoner. They called him "My Lord," and laughed at all his stories.”
Which author wrote the above paragraphs?
This passage is taken from the opening paragraphs of Voltaire’s Candide, a 1759 French satire concerning the sheltered young man Candide and a teacher, Professor Pangloss. The work, a novella, is also known as l'Optimisme.
Passage adapted from Candide by Voltaire (1759; trans. 1918, The Modern Library)
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“Neither Mercedes nor Edmond observed the strange expression of his countenance; they were so happy that they were conscious only of the sunshine and the presence of each other.
Having acquitted themselves of their errand, and exchanged a hearty shake of the hand with Edmond, Danglars and Caderousse took their places beside Fernand and old Dantes,—the latter of whom attracted universal notice. The old man was attired in a suit of glistening watered silk, trimmed with steel buttons, beautifully cut and polished. His thin but wiry legs were arrayed in a pair of richly embroidered clocked stockings, evidently of English manufacture, while from his three-cornered hat depended a long streaming knot of white and blue ribbons. Thus he came along, supporting himself on a curiously carved stick, his aged countenance lit up with happiness, looking for all the world like one of the aged dandies of 1796, parading the newly opened gardens of the Tuileries and Luxembourg. Beside him glided Caderousse, whose desire to partake of the good things provided for the wedding-party had induced him to become reconciled to the Dantes, father and son, although there still lingered in his mind a faint and unperfect recollection of the events of the preceding night; just as the brain retains on waking in the morning the dim and misty outline of a dream.”
Which author wrote the above passage?
The passage includes several of the main characters of The Count of Monte Cristo, written in 1844 by Alexandre Dumas. The novel follows the adventures of Dantes, who is engaged to marry Mercedes and is the eponymous count, and is one of Dumas’ most famous works.
Adapted from The Count of Monte Cristo by Alexandre Dumas (1844; 1888 ed. by George Routledge and Sons)
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A king and queen once upon a time reigned in a country a great way off, where there were in those days fairies. Now this king and queen had plenty of money, and plenty of fine clothes to wear, and plenty of good things to eat and drink, and a coach to ride out in every day: but though they had been married many years they had no children, and this grieved them very much indeed. But one day as the queen was walking by the side of the river, at the bottom of the garden, she saw a poor little fish, that had thrown itself out of the water, and lay gasping and nearly dead on the bank. Then the queen took pity on the little fish, and threw it back again into the river; and before it swam away it lifted its head out of the water and said, 'I know what your wish is, and it shall be fulfilled, in return for your kindness to me—you will soon have a daughter.' What the little fish had foretold soon came to pass; and the queen had a little girl, so very beautiful that the king could not cease looking on it for joy, and said he would hold a great feast and make merry, and show the child to all the land. So he asked his kinsmen, and nobles, and friends, and neighbors. But the queen said, 'I will have the fairies also, that they might be kind and good to our little daughter.' Now there were thirteen fairies in the kingdom; but as the king and queen had only twelve golden dishes for them to eat out of, they were forced to leave one of the fairies without asking her. So twelve fairies came, each with a high red cap on her head, and red shoes with high heels on her feet, and a long white wand in her hand: and after the feast was over they gathered round in a ring and gave all their best gifts to the little princess. One gave her goodness, another beauty, another riches, and so on till she had all that was good in the world.
The above short story excerpt comes from the collected works of which of the following authors?
The tale of Briar Rose is one of many stories collected in the famous, macabre fairy tales written by the Brothers Grimm in 1812. The well known “Sleeping Beauty” story is based on this tale.
Passage adapted from German Popular Stories, a translation of Kinder und Haus-Märchen by Wilhelm Grimm and Jacob Grimm (trans. Taylor 1826).
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SONG I.
Boethius' Complaint
Who wrought my studious numbers
Smoothly once in happier days,
Now perforce in tears and sadness
Learn a mournful strain to raise.
. . .
While I was thus mutely pondering within myself, and recording my sorrowful complainings with my pen, it seemed to me that there appeared above my head a woman of a countenance exceeding venerable. Her eyes were bright as fire, and of a more than human keenness; her complexion was lively, her vigor showed no trace of enfeeblement; and yet her years were right full, and she plainly seemed not of our age and time. Her stature was difficult to judge. At one moment it exceeded not the common height, at another her forehead seemed to strike the sky; and whenever she raised her head higher, she began to pierce within the very heavens, and to baffle the eyes of them that looked upon her.
From what work are these lines?
These lines are from Boethius’ Consolation of Philosophy, widely regarded as one of the most important influences for medieval Christianity. Written in prison at the end of the Classical era, the work features a wide-ranging conversation between Boethius (a Roman philosopher) and Lady Philosophy and is written in mix of prose and verse.
Passage adapted from Consolation of Philosophy by Boethius (ed. 1897, trans. James)
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Theft is punished by Thy law, O Lord, and the law written in the hearts of men, which iniquity itself effaces not. For what thief will abide a thief? not even a rich thief, one stealing through want. Yet I lusted to thieve, and did it, compelled by no hunger, nor poverty, but through a cloyedness of well-doing, and a pamperedness of iniquity. For I stole that, of which I had enough, and much better. Nor cared I to enjoy what I stole, but joyed in the theft and sin itself. A pear tree there was near our vineyard, laden with fruit, tempting neither for color nor taste. To shake and rob this, some lewd young fellows of us went, late one night (having according to our pestilent custom prolonged our sports in the streets till then), and took huge loads, not for our eating, but to fling to the very hogs, having only tasted them. And this, but to do what we liked only, because it was misliked. Behold my heart, O God, behold my heart, which Thou hadst pity upon in the bottom of the bottomless pit. Now, behold, let my heart tell Thee what it sought there, that I should be gratuitously evil, having no temptation to ill, but the ill itself. It was foul, and I loved it; I loved to perish, I loved mine own fault, not that for which I was faulty, but my fault itself. Foul soul, falling from Thy firmament to utter destruction; not seeking aught through the shame, but the shame itself!
The above lines are from which work?
This work is Augustine’s Confessions. It waswritten around the year 400 C.E. and focused on the author’s transgressive youth and slow, painful conversion to Christianity. This passage, in addition to several excerpts about Augustine’s mother Monica, is a particularly well known part of the work.
Adapted from The Confessions of St. Augustine (ed. William G. T. Shedd, 1860)
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