Reasoning Within The Text>Contrasts Practice Test
•19 QuestionsMuseum professionals often talk about two instincts that pull at the heart of collecting institutions. On one side is the encyclopedic museum, an heir to the nineteenth-century ambition to gather the world under one roof. Its galleries are arranged by school, period, and provenance, with long labels that parse attribution and technique. The promise it makes to the public is steadiness: a cool, climate-controlled hall where objects outlast trends, the canon is legible, and the curatorial voice speaks in measured tones. Visitors enter as learners and leave with a sense that culture, like geology, can be stratified and mapped. The governing metaphor is the library, with masterpieces as reference volumes and the museum as steward of a common inheritance. On the other side is the community museum, which complicates that promise. It exchanges the hush of the archive for the hum of a neighborhood center. Rather than treating collections as neutral, it insists that display is always a choice and that choices have civic consequences. Community museums are less likely to align their shows along academic chronologies and more likely to organize around lived concerns: a plant closure, a school desegregation fight, the tastes of a diaspora that remade a corner of the city. They may invite residents to co-curate, yielding space for story circles, oral histories, and loaned keepsakes whose value is not measured at auction. Where the encyclopedic museum seeks to reassure by continuity, the community museum seeks to engage by friction. This does not mean the former is elitist and the latter chaotic; both, at their best, try to widen access. But they differ in what access means. For the encyclopedic museum, access is a stable pathway into the citadel of culture, a map that newcomers can follow to the same treasures that initiated visitors know. For the community museum, access is a door that swings both ways, allowing the gallery to absorb the street and the street to reframe the gallery. The first is anchored in the idea that expert selection and conservation confer legitimacy on objects; the second argues that legitimacy emerges in conversation and that objects can be meaningful even when they are not rare. In practice, institutions borrow tactics across this divide: encyclopedic museums run neighborhood outreach; community museums hire credentialed curators. Still, the distinctive gravitational pull remains. One model leans toward breadth and continuity, the other toward specificity and participation. To the visitor, the difference is perceptible not only in architecture but also in the posture invited: the encyclopedic visitor listens for the long arc; the community visitor is asked to speak into the present.
Which of the following best describes the difference between encyclopedic museums and community museums as portrayed in the passage?
Which of the following best describes the difference between encyclopedic museums and community museums as portrayed in the passage?