The house stood, at the bottom of a hill, making it hard to see from the street. The owner wants it that way, as he had no use for any of his neighbors. “Nosy sneaks and cheats” he would to say to his son. Not that his son ever really listening. The old man did not see him very much, either at his home or going anywhere else. Every time he did see him, his son would just complain about how his house was dark musty, and filthy. The old man did not need such criticism, especially from only his blood relative. He had lived in that house for fifty years, and planned to live there as long as he possibly could. While he lived there, his neighbors would never see him or his house if he could help it. He could take care of him, and steadfastly refused to allow anyone to help. In his tiny house, at the bottom of the hill, the old man was content to be alone, and believed he was living perfect.

Choose the answer that best corrects the bolded portion of the passage. If the bolded portion is correct as written, choose "NO CHANGE."

The bayou was quiet, except for the sounds of insects, water and the occasional alligator. Jim was cleaning his blade, which he had recently used to dispatch one of the undead. His partner Bill and him had come out to the bayou for their nightly patrol and they had found a nest of the undead by an old abandoned dock.

"Hey, Bill!," he shouted gleefully, mindless of whether the noise would attract more undead. "Where'd you go, man?"

A noise to his left had startled him. He turned quick and saw the man who had been closest to him than a brother for the past six months walking slowly toward him.

"Whew," he said: "there you are." He went back to cleaning his blade. "I thought one of those things had got 'cha."

Standing in the dark, the light of the moon did not reach his partners face. The sudden silence caused Jim to look up again. "What's the matter with you, Bill?"

It was only when the thing that was once Bill stepped into the light and Jim saw the fresh bite on it's newly dead face that he realized what the matter was.

Choose the answer that best corrects the bolded portion of the passage. If the bolded portion is correct as written, choose "NO CHANGE."

The bayou was quiet, except for the sounds of insects, water and the occasional alligator. Jim was cleaning his blade, which he had recently used to dispatch one of the undead. His partner Bill and him had come out to the bayou for their nightly patrol and they had found a nest of the undead by an old abandoned dock.

"Hey, Bill!," he shouted gleefully, mindless of whether the noise would attract more undead. "Where'd you go, man?"

A noise to his left had startled him. He turned quick and saw the man who had been closest to him than a brother for the past six months walking slowly toward him.

"Whew," he said: "there you are." He went back to cleaning his blade. "I thought one of those things had got 'cha."

Standing in the dark, the light of the moon did not reach his partners face. The sudden silence caused Jim to look up again. "What's the matter with you, Bill?"

It was only when the thing that was once Bill stepped into the light and Jim saw the fresh bite on it's newly dead face that he realized what the matter was.

Choose the answer that best corrects the bolded portion of the passage. If the bolded portion is correct as written, choose "NO CHANGE."

The bayou was quiet, except for the sounds of insects, water and the occasional alligator. Jim was cleaning his blade, which he had recently used to dispatch one of the undead. His partner Bill and him had come out to the bayou for their nightly patrol and they had found a nest of the undead by an old abandoned dock.

"Hey, Bill!," he shouted gleefully, mindless of whether the noise would attract more undead. "Where'd you go, man?"

A noise to his left had startled him. He turned quick and saw the man who had been closest to him than a brother for the past six months walking slowly toward him.

"Whew," he said: "there you are." He went back to cleaning his blade. "I thought one of those things had got 'cha."

Standing in the dark, the light of the moon did not reach his partners face. The sudden silence caused Jim to look up again. "What's the matter with you, Bill?"

It was only when the thing that was once Bill stepped into the light and Jim saw the fresh bite on it's newly dead face that he realized what the matter was.

Choose the answer that best corrects the bolded portion of the passage. If the bolded portion is correct as written, choose "NO CHANGE."

The bayou was quiet, except for the sounds of insects, water and the occasional alligator. Jim was cleaning his blade, which he had recently used to dispatch one of the undead. His partner Bill and him had come out to the bayou for their nightly patrol and they had found a nest of the undead by an old abandoned dock.

"Hey, Bill!," he shouted gleefully, mindless of whether the noise would attract more undead. "Where'd you go, man?"

A noise to his left had startled him. He turned quick and saw the man who had been closest to him than a brother for the past six months walking slowly toward him.

"Whew," he said: "there you are." He went back to cleaning his blade. "I thought one of those things had got 'cha."

Standing in the dark, the light of the moon did not reach his partners face. The sudden silence caused Jim to look up again. "What's the matter with you, Bill?"

It was only when the thing that was once Bill stepped into the light and Jim saw the fresh bite on it's newly dead face that he realized what the matter was.

Choose the answer that best corrects the bolded portion of the passage. If the bolded portion is correct as written, choose "NO CHANGE."

The bayou was quiet, except for the sounds of insects, water and the occasional alligator. Jim was cleaning his blade, which he had recently used to dispatch one of the undead. His partner Bill and him had come out to the bayou for their nightly patrol and they had found a nest of the undead by an old abandoned dock.

"Hey, Bill!," he shouted gleefully, mindless of whether the noise would attract more undead. "Where'd you go, man?"

A noise to his left had startled him. He turned quick and saw the man who had been closest to him than a brother for the past six months walking slowly toward him.

"Whew," he said: "there you are." He went back to cleaning his blade. "I thought one of those things had got 'cha."

Standing in the dark, the light of the moon did not reach his partners face. The sudden silence caused Jim to look up again. "What's the matter with you, Bill?"

It was only when the thing that was once Bill stepped into the light and Jim saw the fresh bite on it's newly dead face that he realized what the matter was.

Choose the answer that best corrects the bolded portion of the passage. If the bolded portion is correct as written, choose "NO CHANGE."

Speech production is a complicated and complex process, that requires the coordination of three different systems: respiration, phonation, and articulation. A deficit in any of these systems will negatively impact the quality of one’s speech.

We all know that respiration, or breathing, is necessary for life, but have you ever thought about it’s usefulness for speech? Try to talk while holding you’re breath and you will see what I mean. Exhalation provides a stream of air that the next two systems shape into what many people like to call speech.

Phonation happens in your larynx, or voice box. A pair of muscles form a shelf-like structure on either side of your larynx, and this pair of muscles is known as your vocal folds. As you exhale during speech, your vocal fold muscles contract and move towards each other. They vibrate as air passes between them, creating a buzzing sound, and this is a process that is known as phonation. The word “phonation” comes from the ancient Greek word for sound.

Finally, the last stage is articulation. At this final stage, you move your tongue, lips, and jaw to affect the way vibrating air leaves your mouth. For example, when you say the “b” sound, you need to squeeze your lips together to stop the airflow before opening your lips again. For the “v” sound, you touch your top teeth against your lower lip and force air through between your teeth and lip.

Choose the answer that best corrects the bolded portion of the passage. If the bolded portion is correct as written, choose "NO CHANGE."

Jeremy had no luck convincing the members of the orchestral committee about his suggestions. He pleaded, cajoled, was begging, and even threatened the committee at various times, but yet despite being the conductor, he couldnt get them to agree to his requests. Despite many attempts, the committee would not listen to him. In the end, he decided to go through with the Christmas concert despite him not having his favorite composer on the program. Afterward, one of his friends, whom was in the audience, came up and asked him why was there no Handel on the program? "I did try" Jeremy replied "but the committee were unanimously against me. I nearly begged them all day to put one piece on the program. But try as I might I could not get a Handel on it."

Choose the answer that best corrects the bolded portion of the passage. If the bolded portion is correct as written, choose "NO CHANGE."

Jeremy had no luck convincing the members of the orchestral committee about his suggestions. He pleaded, cajoled, was begging, and even threatened the committee at various times, but yet despite being the conductor, he couldnt get them to agree to his requests. Despite many attempts, the committee would not listen to him. In the end, he decided to go through with the Christmas concert despite him not having his favorite composer on the program. Afterward, one of his friends, whom was in the audience, came up and asked him why was there no Handel on the program? "I did try" Jeremy replied "but the committee were unanimously against me. I nearly begged them all day to put one piece on the program. But try as I might I could not get a Handel on it."

Choose the answer that best corrects the bolded portion of the passage. If the bolded portion is correct as written, choose "NO CHANGE."

Adapted from “Authority: The Unavoidable” in What’s Wrong with the World by G.K. Chesterton (1912)

The important point here is only that you cannot get rid of authority in education. It is not so much that parental authority ought to be preserved. The more, important truth, is that such authority cannot be destroyed. Mr. Bernard Shaw once said that he had hated the idea of forming a child's mind. In that case, Mr. Bernard Shaw had better hang himself, for he hates something inseparable from human life. I only mentioned [earlier in the book] the drawing out of the child’s abilities in order to point out that even this mental trick does not avoid the idea of parental or scholastic authority. The educator's drawing out is just as arbitrary and coercive as the instructor’s action, for he draws out what he chooses. He decides what in the child shall be developed and what shall not be developed.

The only result of all this pompous distinction between the “educator” and the “instructor” is who the instructor pokes where he likes and the educator pulls where he likes. Exactly the same intellectual violence is done to the creature whom is poked and pulled. We must all except the responsibility of this intellectual violence, whether from poking or from pulling.

Education is violent; because it is creative. It is such because it is human. It is as reckless as playing on the fiddle, as dogmatic as drawing a picture, as brutal as building a house. In short, it is what all human action is, it is an interference with life and growth. After that it is a trifling and even a jocular question whether we say of this tremendous tormentor, the artist Man, that he puts things into us like a pharmacist or draws things out of us.

Choose the answer that best corrects the bolded portion of the passage. If the bolded portion is correct as written, choose "NO CHANGE."