GRE Subject Test: Literature in English : Cultural and Historical Contexts
Study concepts, example questions & explanations for GRE Subject Test: Literature in English
All GRE Subject Test: Literature in English Resources
Example Questions
Example Question #1 : Contexts Of Plays
The author of the poem was a contemporary of __________.
John Milton
Caedmon
William Shakespeare
Geoffrey Chaucer
John Skelton
William Shakespeare
The excerpt is taken from a poem by Edmund Spenser, who lived during the second half of the sixteenth century. Though he was a contemporary of Early Modern poets like William Shakespeare and Christopher Marlowe, Spenser utilized deliberately archaic language that may seem like something that one would be more likely to find in Chaucer's poetry.
Passage adapted from The Faerie Queene by Edmund Spenser, I.xiv.1-9 (1590)
Example Question #1 : Contexts Of British Plays
Now my charms are all o’erthrown,
And what strength I have’s mine own,
Which is most faint: now, ’tis true,
I must be here confined by you,
Or sent to Naples. Let me not,
Since I have my dukedom got,
And pardon’d the deceiver, dwell
In this bare island by your spell;
But release me from my bands
With the help of your good hands…
Who is the author of this play?
Christopher Marlowe
William Shakespeare
Sir Walter Raleigh
Ben Jonson
Thomas Kyd
William Shakespeare
This is the famous epilogue from William Shakespeare’s The Tempest (1623).
Christopher Marlowe wrote Dr. Faustus (1604). Thomas Kyd wrote The Spanish Tragedie (1587). Ben Jonson wrote Every Man in his Humour (1598). Sir Walter Raleigh wrote "The Nymph's Reply to the Shepherd" (approx. 1598).
Example Question #1 : Contexts Of Plays
Now my charms are all o’erthrown,
And what strength I have’s mine own,
Which is most faint: now, ’tis true,
I must be here confined by you,
Or sent to Naples. Let me not,
Since I have my dukedom got,
And pardon’d the deceiver, dwell
In this bare island by your spell;
But release me from my bands
With the help of your good hands…
What genre does this play belong to?
epic
None of the other answers is accurate
tragedy
history
comedy
None of the other answers is accurate
While The Tempest (1623) isn’t strictly considered one of Shakespeare’s problem plays, it also doesn’t fit into an easy category like tragedy, comedy, or history. While the play was originally billed as a comedy in Elizabethan times, it has since been recategorized by most scholars.
Example Question #1 : Contexts Of Plays
Now my charms are all o’erthrown,
And what strength I have’s mine own,
Which is most faint: now, ’tis true,
I must be here confined by you,
Or sent to Naples. Let me not,
Since I have my dukedom got,
And pardon’d the deceiver, dwell
In this bare island by your spell;
But release me from my bands
With the help of your good hands…
Which of the following characters is not from this play?
Miranda
Iago
Prospero
Caliban
Ariel
Iago
Iago is a character in Shakespeare’s Othello (1622), not from The Tempest (1623).
Example Question #1 : Contexts Of British Plays
To be thus is nothing,
But to be safely thus. Our fears in Banquo.
Stick deep, and in his royalty of nature
Reigns that which would be fear’d. ‘Tis much he dares,
And, to that dauntless temper of his mind,
He hath a wisdom that doth guide his valor
To act in safety. There is none but he
Whose being I do fear; and under him
My genius is rebuked, as it is said
Mark Antony’s was by Caesar.
Who is the author of this play?
Sir Walter Raleigh
William Shakespeare
Christopher Marlowe
Ben Jonson
Thomas Kyd
William Shakespeare
This is a monologue from William Shakespeare’s Macbeth (1623). Even if you weren’t familiar with the monologue itself, you could have recognized Banquo as one of the central characters in the play.
Example Question #7 : Contexts Of British Plays To 1660
To be thus is nothing,
But to be safely thus. Our fears in Banquo.
Stick deep, and in his royalty of nature
Reigns that which would be fear’d. ‘Tis much he dares,
And, to that dauntless temper of his mind,
He hath a wisdom that doth guide his valor
To act in safety. There is none but he
Whose being I do fear; and under him
My genius is rebuked, as it is said
Mark Antony’s was by Caesar.
What genre does this play belong to?
tragedy
comedy
history
melodrama
problem play
tragedy
This play is a tragedy; in fact, the full title is The Tragedy of Macbeth (1623). In the play, Macbeth and his wife are ruined by their fatal flaws of weakness and ambition, a classic trope in tragedy.
Example Question #1 : Contexts Of Plays
To be thus is nothing,
But to be safely thus. Our fears in Banquo.
Stick deep, and in his royalty of nature
Reigns that which would be fear’d. ‘Tis much he dares,
And, to that dauntless temper of his mind,
He hath a wisdom that doth guide his valor
To act in safety. There is none but he
Whose being I do fear; and under him
My genius is rebuked, as it is said
Mark Antony’s was by Caesar.
What is the setting of this play?
Scotland
Venice, Italy
Denmark
ancient Egypt
Verona, Italy
Scotland
Macbeth (1623) is set in Scotland. (Shakespeare’s Hamlet (1604) is set in Denmark, Antony and Cleopatra (1623) is set in ancient Egypt, Romeo and Juliet (1597) is set in Verona, and Othello (1622) is set partly in Venice.)
Example Question #9 : Contexts Of British Plays To 1660
To be thus is nothing,
But to be safely thus. Our fears in Banquo.
Stick deep, and in his royalty of nature
Reigns that which would be fear’d. ‘Tis much he dares,
And, to that dauntless temper of his mind,
He hath a wisdom that doth guide his valor
To act in safety. There is none but he
Whose being I do fear; and under him
My genius is rebuked, as it is said
Mark Antony’s was by Caesar.
What historical document served as a basis for this play’s storyline?
Herodotus’ Histories
The Domesday Book
Gibbon’s The History of the Decline and Fall of the Roman Empire
The Magna Carta
Holinshed’s Chronicles of England, Scotland, and Ireland
Holinshed’s Chronicles of England, Scotland, and Ireland
Raphael Holinshed’s Chronicles of England, Scotland, and Ireland (1587) contains an account of real Scottish historical figures called Macbeth, Macduff, and Duncan. The story of Shakespeare’s play differs considerably from Holinshed’s story, though.
Herodotus' The Histories (440 BCE), The Domesday Book (1086), Edward Gibbon’s The History of the Decline and Fall of the Roman Empire (1776), and The Magna Carta (1215) were all used as alternate answer choices.
Example Question #2 : Contexts Of Plays
To be thus is nothing,
But to be safely thus. Our fears in Banquo.
Stick deep, and in his royalty of nature
Reigns that which would be fear’d. ‘Tis much he dares,
And, to that dauntless temper of his mind,
He hath a wisdom that doth guide his valor
To act in safety. There is none but he
Whose being I do fear; and under him
My genius is rebuked, as it is said
Mark Antony’s was by Caesar.
Which of the following is not a character in this work?
Macduff
King Duncan
Fleance
Cordelia
Donalbain
Cordelia
Cordelia is a central character in Shakespeare’s King Lear (1608), not Macbeth (1623).
Example Question #11 : Contexts Of British Plays
Now my charms are all o’erthrown,
And what strength I have’s mine own,
Which is most faint: now, ’tis true,
I must be here confined by you,
Or sent to Naples. Let me not,
Since I have my dukedom got,
And pardon’d the deceiver, dwell
In this bare island by your spell;
But release me from my bands
With the help of your good hands…
When was this play first published?
The Tempest was first published in 1623 in the First Folio. Many scholars believe that it is the last play Shakespeare wrote. The play was probably first performed in 1611, but was not published until 1623.
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All GRE Subject Test: Literature in English Resources
