Adapted from “Federalist No. 14” by Alexander Hamilton in The Federalist Papers (1788) by Alexander Hamilton, James Madison, and John Jay (1788)

If the states are united under one government, there will be but one national civil list to support; if they are divided into several confederacies, there will be as many different national civil lists to be provided for—and each of them, as to the principal departments, coextensive with that which would be necessary for a government of the whole. The entire separation of the States into thirteen unconnected sovereignties is a project too extravagant and too replete with danger to have many advocates. The ideas of men who speculate upon the dismemberment of the empire seem generally turned toward three confederacies—one consisting of the four Northern, another of the four Middle, and a third of the five Southern States. According to this distribution, each confederacy would comprise an extent of territory larger than that of the kingdom of Great Britain. No well-informed man will suppose that the affairs of such a confederacy can be properly regulated by a government less comprehensive in its organs or institutions than that which has been proposed by the convention. When the dimensions of a State attain to a certain magnitude, it requires the same energy of government and the same forms of administration which are requisite in one of much greater extent. This idea admits not of precise demonstration, because there is no rule by which we can measure the momentum of civil power necessary to the government of any given number of individuals; but when we consider that the island of Britain, nearly commensurate with each of the supposed confederacies, contains about eight millions of people, and when we reflect upon the degree of authority required to direct the passions of so large a society to the public good, we shall see no reason to doubt that the like portion of power would be sufficient to perform the same task in a society far more numerous.

The supposition that each confederacy into which the states would be likely to be divided would require a government not less comprehensive than the one proposed will be strengthened by another supposition, more probable than that which presents us with three confederacies as the alternative to a general Union. If we attend carefully to geographical and commercial considerations, in conjunction with the habits and prejudices of the different States, we shall be led to conclude that in case of disunion they will most naturally league themselves under two governments. The four Eastern states, from all the causes that form the links of national sympathy and connection, may with certainty be expected to unite. New York, situated as she is, would never be unwise enough to oppose a feeble and unsupported flank to the weight of that confederacy. New Jersey is too small a state to think of being a frontier, in opposition to this still more powerful combination. Even Pennsylvania would have strong inducements to join the Northern league. An active foreign commerce, on the basis of her own navigation, is her true policy, and coincides with the opinions and dispositions of her citizens. The more Southern States, from various circumstances, may not think themselves much interested in the encouragement of navigation. They may prefer a system which would give unlimited scope to all nations to be the carriers as well as the purchasers of their commodities. Pennsylvania may not choose to confound her interests in a connection so adverse to her policy. As she must at all events be a frontier, she may deem it most consistent with her safety to have her exposed side turned towards the weaker power of the Southern, rather than towards the stronger power of the Northern, Confederacy. This would give her the fairest chance to avoid being the Flanders of America. Whatever may be the determination of Pennsylvania, if the Northern Confederacy includes New Jersey, there is no likelihood of more than one confederacy to the south of that State.

Nothing can be more evident than that the thirteen States will be able to support a national government better than one half, or one third, or any number less than the whole. This reflection must have great weight in obviating that objection to the proposed plan, which is founded on the principle of expense; an objection, however, which, when we come to take a nearer view of it, will appear in every light to stand on mistaken ground. If we take into view the number of persons who must necessarily be employed to guard the inland communication between the different confederacies against illicit trade, and if we also take into view the military establishments which it has been shown would unavoidably result from the jealousies and conflicts of the several nations into which the states would be divided, we shall clearly discover that a separation would be not less detrimental to the economy, than to the tranquillity, commerce, revenue, and liberty of every part.

The author of this passage would most likely view the breakdown of the European Union as __________.

Adapted from Hall, J. N. "Clayhill Parkhill, Anatomist and Surgeon" in Annals of Surgery (May 1902; 35(5): 674-678)

The surgery of America in those days was still in the masterly grasp of those great surgeons who, in the bloodiest war of modern times, had advanced their profession to an enviable position. In practically every city of the land, the leading surgeon was a man who, after Antietam, Gettysburg, and Cold Harbor, had amputated, perhaps, scores of limbs in a single day. The young man thirsting for a place in surgery, stood no chance in the race with men whose operative work in a single day had exceeded all that he might hope to do in ten years.

As a result, the surgery of the country in 1885 was in the hands of men already getting past middle age, and not easily adaptable to new things; as fine a class of surgeons, nevertheless, as ever honored the profession of any country.

Meanwhile the times had changed. Under the stimulus of the work of Lister, antiseptic surgery had been born. The older men watched the younger ones as they fearlessly invaded field after field upon which they had never dared to tread, and they hesitated in their work. The knowledge of bacteriology had been their undoing. A few of these men, conspicuously Keen, of Philadelphia, and Conner, of Cincinnati, adapted themselves to the new order of things; the great majority of them were crowded out by the younger men.

And had these excellent men, thus crowded out of their field of activity, done nothing for surgery? Let us look briefly at their work. After one of the great battles, perhaps 100 amputations were performed. Experience had taught them that in the serious wounds of the extremities, without amputation, 75 percent died; with immediate amputation, 75 percent lived. In other words, amputation avoided fifty deaths in each 100 cases, chiefly from septicemia, pyxemia, erysipelas, secondary hemorrhage, and hospital gangrene. But the new surgery made unnecessary most of these amputations, practically annihilated all these causes of death, and yet saved most of the limbs. Competition under these circumstances was out of the question.

The older men then stepped aside so far as operative surgery went; but the magnificent knowledge of non-operative surgery which these men had attained, executive ability of the first order, and the power of handling large bodies of men, left them still invaluable to the profession and the world. As an illustration of this point, note that as the great railroads pushed westward, almost every one had as chief surgeon one of these able men. Mercer of the Union Pacific, Livingston of the Burlington, and Bancroft of the Denver and Rio Grande, may serve as examples. During the transition period of which I speak, although the young men carried on their operative work independently, they continually sought the counsel of these older men in broad surgical questions, in their fractures and dislocations, and in many other non-operative parts of the field of surgery for which an incomparable experience had so magnificently fitted them.

Which of the following statements would the author most likely NOT agree with?

Adapted from “William Dean Howells” in What is Man? And Other Essays by Mark Twain (1906)

Is it true that the sun of a man's mentality touches noon at forty and then begins to wane toward setting? Doctor Osler is charged with saying so. Maybe he said it, maybe he didn't; I don't know which it is. But if he said it, I can point him to a case which proves his rule. Proves it by being an exception to it. To this place I nominate Mr. Howells.

I read his Venetian Days about forty years ago. I compare it with his paper on Machiavelli in a late number of Harper, and I cannot find that his English has suffered any impairment. For forty years his English has been to me a continual delight and astonishment. In the sustained exhibition of certain great qualities—clearness, compression, verbal exactness, and unforced and seemingly unconscious felicity of phrasing—he is, in my belief, without his peer in the English-writing world. Sustained. I entrench myself behind that protecting word. There are others who exhibit those great qualities as greatly as he does, but only by intervaled distributions of rich moonlight, with stretches of veiled and dimmer landscape between, whereas Howells's moon sails cloudless skies all night and all the nights.

In the matter of verbal exactness Mr. Howells has no superior, I suppose. He seems to be almost always able to find that elusive and shifty grain of gold, the right word. Others have to put up with approximations, more or less frequently; he has better luck. To me, the others are miners working with the gold-pan—of necessity some of the gold washes over and escapes; whereas, in my fancy, he is quicksilver raiding down a riffle—no grain of the metal stands much chance of eluding him. A powerful agent is the right word: it lights the reader's way and makes it plain; a close approximation to it will answer, and much traveling is done in a well-enough fashion by its help, but we do not welcome it and applaud it and rejoice in it as we do when the right one blazes out on us. Whenever we come upon one of those intensely right words in a book or a newspaper the resulting effect is physical as well as spiritual, and electrically prompt: it tingles exquisitely around through the walls of the mouth and tastes as tart and crisp and good as the autumn-butter that creams the sumac-berry. One has no time to examine the word and vote upon its rank and standing, the automatic recognition of its supremacy is so immediate. There is a plenty of acceptable literature which deals largely in approximations, but it may be likened to a fine landscape seen through the rain; the right word would dismiss the rain, then you would see it better. It doesn't rain when Howells is at work.

And where does he get the easy and effortless flow of his speech, and its cadenced and undulating rhythm, and its architectural felicities of construction, its graces of expression, its pemmican quality of compression, and all that? Born to him, no doubt. All in shining good order in the beginning, all extraordinary, and all just as shining, just as extraordinary today, after forty years of diligent wear and tear and use. He passed his fortieth year long and long ago, but I think his English of today—his perfect English, I wish to say—can throw down the glove before his English of that antique time and not be afraid.

The author of this passage would most likely agree that __________.

Adapted from “Edgar Allen Poe” in The Courier by Willa Cather (October 12, 1895)

The Shakespeare society of New York, which is really about the only useful literary organization in this country, is making vigorous efforts to redress an old wrong and atone for a long neglect. Sunday, Sept. 22, it held a meeting at the Poe cottage on Kingsbridge road near Fordham, for the purpose of starting an organized movement to buy back the cottage, restore it to its original condition, and preserve it as a memorial of Poe. So it has come at last. After helping build monuments to Shelley, Keats, and Carlyle, we have at last remembered this man, the greatest of our poets and the most unhappy. I am glad that this movement is in the hands of American actors, for it was among them that Poe found his best friends and warmest admirers. In some way he always seemed to belong to the strolling Thespians who were his mother’s people.

Among all the thousands of life’s little ironies that make history so diverting, there is none more paradoxical than that Edgar Poe should have been an American. Look at his face. Had we ever another like it? He must have been a strange figure in his youth, among those genial, courtly Virginians, this handsome, pale fellow, violent in his enthusiasm, ardent in his worship, but spiritually cold in his affections. Now playing heavily for the mere excitement of play; now worshipping at the shrine of a woman old enough to be his mother, merely because her voice was beautiful; now swimming six miles up the James river against a heavy current in the glaring sun of a June midday. He must have seemed to them an unreal figure, a sort of stage man who was wandering about the streets with his mask and buskins on, a theatrical figure who had escaped by some strange mischance into the prosaic daylight. His speech and actions were unconsciously and sincerely dramatic, always as though done for effect. He had that nervous, egotistic, self-centered nature common to stage children who seem to have been dazzled by the footlights and maddened by the applause before they are born. It was in his blood. With the exception of two women who loved him, lived for him, died for him, he went through life friendless, misunderstood, with that dense, complete, hopeless misunderstanding which, as Amiel said, is the secret of that sad smile upon the lips of the great. Men tried to befriend him, but in some way or other he hurt and disappointed them. He tried to mingle and share with other men, but he was always shut from them by that shadow, light as gossamer but unyielding as adamant, by which, from the beginning of the world, art has shielded and guarded and protected her own, that God-concealing mist in which the heroes of old were hidden, immersed in that gloom and solitude which, if we could but know it here, is but the shadow of God’s hand as it falls upon his elect.

We lament our dearth of great prose. With the exception of Henry James and Hawthorne, Poe is our only master of pure prose. We lament our dearth of poets. With the exception of Lowell, Poe is our only great poet. Poe found short story writing a bungling makeshift. He left it a perfect art. He wrote the first perfect short stories in the English language. He first gave the short story purpose, method, and artistic form. In a careless reading one cannot realize the wonderful literary art, the cunning devices, the masterly effects that those entrancing tales conceal. They are simple and direct enough to delight us when we are children, subtle and artistic enough to be our marvel when we are old. To this day they are the wonder and admiration of the French, who are the acknowledged masters of craft and form. How in his wandering, laborious life, bound to the hack work of the press and crushed by an ever-growing burden of want and debt, did he ever come upon all this deep and mystical lore, this knowledge of all history, of all languages, of all art, this penetration into the hidden things of the East? As Steadman says, “The self-training of genius is always a marvel.” The past is spread before us all and most of us spend our lives in learning those things which we do not need to know, but genius reaches out instinctively and takes only the vital detail, by some sort of spiritual gravitation goes directly to the right thing.

With which of these statements about Poe would the author be least likely to agree?

Adapted from “Edgar Allen Poe” in The Courier by Willa Cather (October 12, 1895)

The Shakespeare society of New York, which is really about the only useful literary organization in this country, is making vigorous efforts to redress an old wrong and atone for a long neglect. Sunday, Sept. 22, it held a meeting at the Poe cottage on Kingsbridge road near Fordham, for the purpose of starting an organized movement to buy back the cottage, restore it to its original condition, and preserve it as a memorial of Poe. So it has come at last. After helping build monuments to Shelley, Keats, and Carlyle, we have at last remembered this man, the greatest of our poets and the most unhappy. I am glad that this movement is in the hands of American actors, for it was among them that Poe found his best friends and warmest admirers. In some way he always seemed to belong to the strolling Thespians who were his mother’s people.

Among all the thousands of life’s little ironies that make history so diverting, there is none more paradoxical than that Edgar Poe should have been an American. Look at his face. Had we ever another like it? He must have been a strange figure in his youth, among those genial, courtly Virginians, this handsome, pale fellow, violent in his enthusiasm, ardent in his worship, but spiritually cold in his affections. Now playing heavily for the mere excitement of play; now worshipping at the shrine of a woman old enough to be his mother, merely because her voice was beautiful; now swimming six miles up the James river against a heavy current in the glaring sun of a June midday. He must have seemed to them an unreal figure, a sort of stage man who was wandering about the streets with his mask and buskins on, a theatrical figure who had escaped by some strange mischance into the prosaic daylight. His speech and actions were unconsciously and sincerely dramatic, always as though done for effect. He had that nervous, egotistic, self-centered nature common to stage children who seem to have been dazzled by the footlights and maddened by the applause before they are born. It was in his blood. With the exception of two women who loved him, lived for him, died for him, he went through life friendless, misunderstood, with that dense, complete, hopeless misunderstanding which, as Amiel said, is the secret of that sad smile upon the lips of the great. Men tried to befriend him, but in some way or other he hurt and disappointed them. He tried to mingle and share with other men, but he was always shut from them by that shadow, light as gossamer but unyielding as adamant, by which, from the beginning of the world, art has shielded and guarded and protected her own, that God-concealing mist in which the heroes of old were hidden, immersed in that gloom and solitude which, if we could but know it here, is but the shadow of God’s hand as it falls upon his elect.

We lament our dearth of great prose. With the exception of Henry James and Hawthorne, Poe is our only master of pure prose. We lament our dearth of poets. With the exception of Lowell, Poe is our only great poet. Poe found short story writing a bungling makeshift. He left it a perfect art. He wrote the first perfect short stories in the English language. He first gave the short story purpose, method, and artistic form. In a careless reading one cannot realize the wonderful literary art, the cunning devices, the masterly effects that those entrancing tales conceal. They are simple and direct enough to delight us when we are children, subtle and artistic enough to be our marvel when we are old. To this day they are the wonder and admiration of the French, who are the acknowledged masters of craft and form. How in his wandering, laborious life, bound to the hack work of the press and crushed by an ever-growing burden of want and debt, did he ever come upon all this deep and mystical lore, this knowledge of all history, of all languages, of all art, this penetration into the hidden things of the East? As Steadman says, “The self-training of genius is always a marvel.” The past is spread before us all and most of us spend our lives in learning those things which we do not need to know, but genius reaches out instinctively and takes only the vital detail, by some sort of spiritual gravitation goes directly to the right thing.

A follow-up article to the passage is published by the same author. Which of the following pieces of information would most likely be found in the follow-up article?

Adapted from “The Memorable Assassination” in What is Man? And Other Essays by Mark Twain (1906)

One of the commonest forms of madness is the desire to be noticed, the pleasure derived from being noticed. Perhaps it is not merely common, but universal. In its mildest form it doubtless is universal. Every child is pleased at being noticed; many intolerable children put in their whole time in distressing and idiotic effort to attract the attention of visitors; boys are always "showing off"; apparently all men and women are glad and grateful when they find that they have done a thing which has lifted them for a moment out of obscurity and caused wondering talk. This common madness can develop, by nurture, into a hunger for notoriety in one, for fame in another. It is this madness for being noticed and talked about which has invented kingship and the thousand other dignities, and tricked them out with pretty and showy fineries; it has made kings pick one another's pockets, scramble for one another's crowns and estates, slaughter one another's subjects; it has raised up prize-fighters, and poets, and village mayors, and little and big politicians, and big and little charity-founders, and bicycle champions, and banditti chiefs, and frontier desperadoes, and Napoleons. Anything to get notoriety; anything to set the village, or the township, or the city, or the state, or the nation, or the planet shouting, "Look—there he goes—that is the man!" And in five minutes' time, at no cost of brain, or labor, or genius this mangy Italian tramp has beaten them all, transcended them all, outstripped them all, for in time their names will perish, but by the friendly help of the insane newspapers and courts and kings and historians, his is safe to live and thunder in the world all down the ages as long as human speech shall endure! Oh, if it were not so tragic, how ludicrous it would be!

She was so blameless, the Empress; and so beautiful, in mind and heart, in person and spirit; and whether with a crown upon her head or without it and nameless, a grace to the human race, and almost a justification of its creation; would be, indeed, but that the animal that struck her down reestablishes the doubt.

In her character was every quality that in woman invites and engages respect, esteem, affection, and homage. Her tastes, her instincts, and her aspirations were all high and fine and all her life her heart and brain were busy with activities of a noble sort. She had had bitter griefs, but they did not sour her spirit, and she had had the highest honors in the world's gift, but she went her simple way unspoiled. She knew all ranks, and won them all, and made them her friends. An English fisherman's wife said, "When a body was in trouble she didn't send her help; she brought it herself." Crowns have adorned others, but she adorned her crowns.

It was a swift celebrity the assassin achieved. And it is marked by some curious contrasts. At noon last Saturday there was no one in the world who would have considered acquaintanceship with him a thing worth claiming or mentioning; no one would have been vain of such an acquaintanceship. The humblest honest boot-black would not have valued the fact that he had met him or seen him at some time or other; he was sunk in abysmal obscurity, he was away beneath the notice of the bottom grades of officialdom. Three hours later he was the one subject of conversation in the world, the gilded generals and admirals and governors were discussing him, all the kings and queens and emperors had put aside their other interests to talk about him. And wherever there was a man, at the summit of the world or the bottom of it, who by chance had at some time or other come across that creature, he remembered it with a secret satisfaction, and mentioned it—for it was a distinction, now! It brings human dignity pretty low, and for a moment the thing is not quite realizable—but it is perfectly true. If there is a king who can remember, now, that he once saw that creature in a time past, he has let that fact out, in a more or less studiously casual and indifferent way, some dozens of times during the past week. For a king is merely human; the inside of him is exactly like the inside of any other person, and it is human to find satisfaction in being in a kind of personal way connected with amazing events. We are all privately vain of such a thing. We are all alike; a king is a king by accident. The reason the rest of us are not kings is merely due to another accident. We are all made out of the same clay, and it is a sufficiently poor quality.

With which of these statements would the author of this passage most likely disagree?

Adapted from “The Memorable Assassination” in What is Man? And Other Essays by Mark Twain (1906)

One of the commonest forms of madness is the desire to be noticed, the pleasure derived from being noticed. Perhaps it is not merely common, but universal. In its mildest form it doubtless is universal. Every child is pleased at being noticed; many intolerable children put in their whole time in distressing and idiotic effort to attract the attention of visitors; boys are always "showing off"; apparently all men and women are glad and grateful when they find that they have done a thing which has lifted them for a moment out of obscurity and caused wondering talk. This common madness can develop, by nurture, into a hunger for notoriety in one, for fame in another. It is this madness for being noticed and talked about which has invented kingship and the thousand other dignities, and tricked them out with pretty and showy fineries; it has made kings pick one another's pockets, scramble for one another's crowns and estates, slaughter one another's subjects; it has raised up prize-fighters, and poets, and village mayors, and little and big politicians, and big and little charity-founders, and bicycle champions, and banditti chiefs, and frontier desperadoes, and Napoleons. Anything to get notoriety; anything to set the village, or the township, or the city, or the state, or the nation, or the planet shouting, "Look—there he goes—that is the man!" And in five minutes' time, at no cost of brain, or labor, or genius this mangy Italian tramp has beaten them all, transcended them all, outstripped them all, for in time their names will perish, but by the friendly help of the insane newspapers and courts and kings and historians, his is safe to live and thunder in the world all down the ages as long as human speech shall endure! Oh, if it were not so tragic, how ludicrous it would be!

She was so blameless, the Empress; and so beautiful, in mind and heart, in person and spirit; and whether with a crown upon her head or without it and nameless, a grace to the human race, and almost a justification of its creation; would be, indeed, but that the animal that struck her down reestablishes the doubt.

In her character was every quality that in woman invites and engages respect, esteem, affection, and homage. Her tastes, her instincts, and her aspirations were all high and fine and all her life her heart and brain were busy with activities of a noble sort. She had had bitter griefs, but they did not sour her spirit, and she had had the highest honors in the world's gift, but she went her simple way unspoiled. She knew all ranks, and won them all, and made them her friends. An English fisherman's wife said, "When a body was in trouble she didn't send her help; she brought it herself." Crowns have adorned others, but she adorned her crowns.

It was a swift celebrity the assassin achieved. And it is marked by some curious contrasts. At noon last Saturday there was no one in the world who would have considered acquaintanceship with him a thing worth claiming or mentioning; no one would have been vain of such an acquaintanceship. The humblest honest boot-black would not have valued the fact that he had met him or seen him at some time or other; he was sunk in abysmal obscurity, he was away beneath the notice of the bottom grades of officialdom. Three hours later he was the one subject of conversation in the world, the gilded generals and admirals and governors were discussing him, all the kings and queens and emperors had put aside their other interests to talk about him. And wherever there was a man, at the summit of the world or the bottom of it, who by chance had at some time or other come across that creature, he remembered it with a secret satisfaction, and mentioned it—for it was a distinction, now! It brings human dignity pretty low, and for a moment the thing is not quite realizable—but it is perfectly true. If there is a king who can remember, now, that he once saw that creature in a time past, he has let that fact out, in a more or less studiously casual and indifferent way, some dozens of times during the past week. For a king is merely human; the inside of him is exactly like the inside of any other person, and it is human to find satisfaction in being in a kind of personal way connected with amazing events. We are all privately vain of such a thing. We are all alike; a king is a king by accident. The reason the rest of us are not kings is merely due to another accident. We are all made out of the same clay, and it is a sufficiently poor quality.

The author of this passage would be most surprised to learn that __________.

Adapted from “Federalist No. 14” by Alexander Hamilton in The Federalist Papers (1788) by Alexander Hamilton, James Madison, and John Jay (1788)

How would the author of this passage most likely vote if he lived in Scotland when it held its referendum on independence?

Adapted from "Harold Frederic" in The Pittsburgh Leader by Willa Cather (June 10, 1899)

It is very fitting that Mr. Frederic’s last book should be in praise of action, the thing that makes the world go round; of force, however misspent, which is the sum of life as distinguished from the inertia of death. In the forty-odd years of his life he wrote almost as many pages as Balzac, most of it mere newspaper copy, it is true, read and forgotten, but all of it vigorous and with the stamp of a strong man upon it. And he played just as hard as he worked—alas, it was the play that killed him! The young artist who illustrated the story gave to the pictures of “Joel Thorpe” very much the look of Harold Frederic himself, and they might almost stand for his portraits. I fancy the young man did not select his model carelessly. In this big, burly adventurer who took fortune and women by storm, who bluffed the world by his prowess and fought his way to the front with battle-ax blows, there is a great deal of Harold Frederic, the soldier of fortune, the Utica milk boy who fought his way from the petty slavery of a provincial newspaper to the foremost ranks of the journalists of the world and on into literature, into literature worth the writing. The man won his place in England much as his hero won his, by defiance, by strong shoulder blows, by his self-sufficiency and inexhaustible strength, and when he finished his book he did not know that his end would be so much less glorious than his hero’s, that it would be his portion not to fall manfully in the thick of the combat and the press of battle, but to die poisoned in the tent of Chryseis. For who could foresee a tragedy so needless, so blind, so brutal in its lack of dignity, or know that such strength could perish through such insidious weakness, that so great a man could be stung to death by a mania born in little minds?

In point of execution and literary excellence, both The Market Place and Gloria Mundi are vastly inferior to The Damnation of Theron Ware or that exquisite London idyl, March Hares. The first two hundred pages of Theron Ware are as good as anything in American fiction, much better than most of it. They are not so much the work of a literary artist as of a vigorous thinker, a man of strong opinions and an intimate and comprehensive knowledge of men. The whole work, despite its irregularities and indifference to form, is full of brain stuff, the kind of active, healthful, masterful  intellect that some men put into politics, some into science and a few, a very few, into literature. Both Gloria Mundi and The Market Place bear unmistakable evidences of the slack rein and the hasty hand. Both of them contain considerable padding, the stamp of the space writer. They are imperfectly developed, and are not packed with ideas like his earlier novels. Their excellence is in flashes; it is not the searching, evenly distributed light which permeates his more careful work. There were, as we know too well, good reasons why Mr. Frederic should work hastily. He needed a large income and he worked heroically, writing many thousands of words a day to obtain it. From the experience of the ages we have learned to expect to find, coupled with great strength, a proportionate weakness, and usually it devours the greater part, as the seven lean kine devoured the seven fat in Pharaoh’s vision. Achilles was a god in all his nobler parts, but his feet were of the earth and to the earth they held him down, and he died stung by an arrow in the heel.

How do you think the author of this passage would respond to an offer to work for a small newspaper company?

Adapted from Real Soldiers of Fortune by Richard Harding Davis (1906)

In the strict sense of the phrase, a soldier of fortune is a man who for pay or for the love of adventure fights under the flag of any country. In the bigger sense, he is the kind of man who in any walk of life makes his own fortune, who, when he sees it coming, leaps to meet it, and turns it to his advantage. Then there is Winston Spencer Churchill. Today there are few young men—and he is a very young man—who have met more varying fortunes, and none who has more frequently bent them to his own advancement. To him it has been indifferent whether, at the moment, the fortune seemed good or evil; in the end always it was good.

As a boy officer, when other subalterns were playing polo and at the Gaiety Theatre attending night school, he ran away to Cuba and fought with the Spaniards. For such a breach of military discipline, any other officer would have been court-martialed. Even his friends feared that by his foolishness his career in the army was at an end. Instead, his escapade was made a question in the House of Commons, and the fact brought him such publicity that The Daily Graphic paid him handsomely to write on the Cuban Revolution, and the Spanish Government rewarded him with the Order of Military Merit.

At the very outbreak of the Boer War, he was taken prisoner. It seemed a climax of misfortune. With his brother officers, he had hoped in that campaign to acquit himself with credit, and that he should lie inactive in Pretoria appeared a terrible calamity. To the others who, through many heart-breaking months, suffered imprisonment, it continued to be a calamity. But within six weeks of his capture, Churchill escaped, and, after many adventures, rejoined his own army to find that the calamity had made him a hero.

When after the battle of Omdurman, in his book The River War, he attacked Lord Kitchener, those who did not like him, and they were many, said: "That's the end of Winston in the army. He'll never get another chance to criticize K. of K." But only two years later the chance came, when, no longer a subaltern, but as a member of the House of Commons, he patronized Kitchener by defending him from the attacks of others.

Later, when his assaults upon the leaders of his own party closed to him, even in his own constituency, the Conservative debating clubs, again his ill-wishers said, "This is the end. He has ridiculed those who sit in high places. He has offended his cousin and patron, the Duke of Marlborough. Without political friends, without the influence and money of the Marlborough family, he is a political nonentity." That was eighteen months ago. Today, at the age of thirty-two, he is one of the leaders of the Government party, Under-Secretary for the Colonies, and with the Liberals the most popular young man in public life.

Only last Christmas, at a banquet, Sir Edward Grey, the new Foreign Secretary, said of him: "Mr. Winston Churchill has achieved distinction in at least five different careers—as a soldier, a war correspondent, a lecturer, an author, and last, but not least, as a politician. I have understated it even now, for he has achieved two careers as a politician—one on each side of the House. His first career on the Government side was a really distinguished career. I trust the second will be even more distinguished—and more prolonged. The remarkable thing is that he has done all this when, unless appearances very much belie him, he has not reached the age of sixty-four, which is the minimum age at which the politician ceases to be young."

A follow-up article is published by the same author. Which of these do you think is most likely to be the focus of the follow-up article?